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Word: daly (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...years since Salvador Dali separated from the surrealist movement, he has leaped from one extravagant triviality to the next, combining the roles of circus freak, spangled elephant and Barnum himself. The performance is tinted with sadness. Dali is undoubtedly the last of the great dandies, but nobody accepts his own belief that he is the last of the great artists, heir to Vermeer and Velásquez. The baroque costume jewelry, the monarchist-Catholic oratory, the worn stock of crutches and soft watches-all have dust on them. Even the trembling antennas of that fabled mustache have apparently ceased...

Author: /time Magazine | Title: Art: Dali in 3-D | 5/15/1972 | See Source »

...Giorgio de Chirico. Up to 1918, he turned out a body of work that set him firmly among the masters of European modernism. His "mysterious objects," moonstruck piazzas and tilting, empty colonnades fascinated the Surrealists and became one of the inspirations of their movement. René Magritte and Salvador Dali were both De Chirico's debtors; Yves Tanguy resolved to be a painter only after seeing an early De Chirico in a dealer's window in 1923. André Breton, the pope of Surrealism, hailed him as one of the "fixed points" of the new sensibility. But then...

Author: /time Magazine | Title: Art: Looking Backward | 1/24/1972 | See Source »

...would be pleasant to report that all rumors of the maestro's decline are greatly exaggerated. But they are not. No 20th century artist - not even Dali - went down so fast. The homage at the Cultural Center is a lugubrious affair, but an interesting one nevertheless; for it records in great detail how one gifted painter went backward under pressure, like an irritated crab, into a historical impasse - and has stuck there ever since, snapping his crusty pincers at every stir in the water...

Author: /time Magazine | Title: Art: Looking Backward | 1/24/1972 | See Source »

...demolished Guernica. But it remains a passionate and epic work, and it was Picasso's sole politically effective gesture. The best comment on Picasso's later (and continuing) role as a painter laureate to the French Communist Party, which he joined in 1944, was made by Salvador Dali: "Picasso is a Spaniard-so am I! Picasso is a genius-so am I! Picasso is a Communist-nor am I!" For Picasso's political naiveté is extreme, and his role in the party has never been more than ornamental...

Author: /time Magazine | Title: Art: Anatomy of a Minotaur | 11/1/1971 | See Source »

Next to Picasso and that camping St. John of the Cheque, Salvador Dali, Warhol is the supreme example of the artist-as-celebrity. "In the future," he once remarked, "everyone will be famous for at least 15 minutes." Warhol's own 15 minutes has been very long. His fame is self-replicating: like a perpetual-motion machine, it grinds on amid the iridescent cavorting of his superstars and the thump of heavy, if rigged auction prices ($60,000 from a Swiss dealer for a Campbell's soup can recently). It has reached the point where Warhol...

Author: /time Magazine | Title: Art: Man for the Machine | 5/17/1971 | See Source »

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