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Bonwit Teller (department store) has earned a reputation for having Manhattan's screwiest window displays (TIME, Dec. 5). Fortnight ago, Bonwit's smartly hired the world's No. 1 surrealist, Salvador Dali, to create two more screwy windows. Last week Dali gave Bonwit Teller more than it bargained for, all on the hackneyed subject of "Night...
...Night," Dali showed in another window a mannequin lying on a bed of glowing coals under a stuffed trophy, which the artist described as "the decapitated head and the savage hoofs of a great somnambulist buffalo extenuated by a thousand years of sleep." Working all one night with Bonwit's regular window crew, Surrealissimo Dali finished in time for the store's opening at 9:30 a. m. Then he retired to his hotel...
Came real but prosaic day and Bonwit Teller resumed its ladies garment business. Among its customers appeared ladies who thought the Dali windows "extreme," told the management so. By noon Salvador Dali's sleeping mannequin had been replaced by a seated figure, his bather replaced by a glamor dummy in a tailored suit. No one cared, until late in the afternoon Artist Dali strolled by and saw the havoc that had been made of his havoc-making Freudian designs...
Last week Bostonians trooped to the Fine Arts Museum to see the Institute's most independent, smartest exhibition so far: "Sources of Modern Painting." Hung side by side were selected modern paintings from Manet to Dali and the i) older European pictures, 2) primitive pictures, 3) ancient pictures, 4) Japanese prints or 5) photographs with which they were definitely linked in style. No mere repetition of the now familiar facts and Grade A names, the show included such juxtapositions as an early Gauguin and a Kate
Arriving in Manhattan for his third U. S. exhibition, Surrealist Salvador Dali refused to admit that he understands his own paintings: "It is enough to do the painting, much less trying to understand...