Word: daly
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...proper homage to his life and presence as well as his art was the double take. In the midst of a movement, surrealism, which specialized in attention-getting stunts, political embroilments, sexual scandals and fervid half-religious crises, Magritte-next to Max Ernst and Salvador Dali, the best surrealist painter -seemed to be all phlegm and stolidity. He lived in respectable Brussels; he stayed married to the same woman, Georgette Berger, for the rest of his life; by the standards of the Paris art world in the '30s, he might as well have been a grocer. Yet Magritte possessed...
...went to live in Paris. There, immersed in the surrealist movement, he was no longer a provincial spectator. And he quickly realized where his contribution to it might lie: not in the exploitation of chance and random effects, like Masson or Ernst, still less in exoticism and neurosis, like Dali, but in hallucinatory ordinariness. One of the obsessions of surrealism was the way inexplicable events intruded into everyday life. With his dry, matter-of-fact technique, Magritte painted things so ordinary that they might have come from a phrase book: an apple, a comb, a derby hat, a cloud...
Sonnenberg was exquisitely conscious of dress as costume. In the '40s and '50s his style of accouterment was a wonder of Manhattan-cane, tight four-button suits, massive cuff links, a bowler hat, and a mustache that almost rivaled Dali's in local celebrity: not the zigzag antennae of the Spaniard but a drooping bunch of Habsburg bristle, which in his last years came to resemble the questing barbels of an old and sagacious carp...
...week. He was 90, and his death removed one of the last connections between our day and the formative years of modern art. Nearly all who created the modernist vocabulary between 1900 and 1930 are dead. Four remain: Marc Chagall, 91; Joan Mird, 85; Sonia Delaunay, 93; and Salvador Dali, 74. None have produced much work of consequence in recent years; posterity will not have time for late Chagall or post-1939 Dali. Nevertheless, De Chirico's career was so uneven as to have been unique. His impact on art would probably have been the same if he had died...
...Chirico produced a series of images?his pittura metafisica, or metaphysical painting?that altered the history of modernism. His empty colonnades and squares, populated by statues and shadows, exerted a vast influence on the growth of a specifically surrealist art. Max Ernst, René Magritte and Salvador Dali all paid homage to the liberating power of early De Chirico. He seemed to have made the actions of the dreaming mind more accessible, vivid and poignant than any other painter. "If a work of art is to be truly immortal," he explained, "it must pass quite beyond the limits of the human...