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...sculpture that caused the most goggling was a copy of the one that most Greeks thought they knew best the Louvre's Venus de Milo. This ver sion, however, was by Spain's Salvador Dali, so of course there was a difference. Dali had put drawers on her. Here and there he had cut out sections and turned them into sliding compartments. One visitor, proceeding on the premise that drawers are for opening, pulled out Venus' forehead, breasts and stomach before a horrified guard could stop...

Author: /time Magazine | Title: Sculpture: Figures in the Sun | 10/8/1965 | See Source »

...will emphasize contemporary art, will open with an 800-work, $750,000 collection that includes etchings, engravings, lithographs and woodcuts by Braque, Chagall, Miró and Luigini. In their three-month search through Europe and the U.S. to assemble the collection, Woolworth's buyers also picked up Salvador Dali's $30,000 Triumph of the Sea, and a $24,000 Gainsborough called Dr. Pulteney. Anyone who does not have that kind of cash, of course, will still be able to enter almost any Woolworth store and buy, from the chain's collection of reproductions, Gainsborough...

Author: /time Magazine | Title: Retailing: Art over the Counter | 5/7/1965 | See Source »

...fingers dripping rings and ruby polish, she held business conferences in her 26-room Park Avenue triplex, propped up in a garish bed whose Incite head-and footboard glowed under fluorescent light. Yet she vastly appreciated art, and acquired an extensive collection that included Renoir, Renault, Modigliani and Dali. Her jewelry was valued at $1,000,000, but she liked to mix dime-store baubles with antique pieces that once belonged to Catherine the Great...

Author: /time Magazine | Title: Cosmetics: The Beauty Merchant | 4/9/1965 | See Source »

Right from the start the mood was bullish. First up were European blue chips: a Kandinsky watercolor went for $7,200, a Salvador Dali watercolor reached an extraordinary $11,500, and a fine 1921 Mondrian peaked at $42,000. Then Russian-born Nicolas de Staël, who jumped out his studio window in 1955, sent bids skyrocketing when his semi-abstraction, Fleurs, soared to $68,000 to set a new record. In all, four works by De Staël brought...

Author: /time Magazine | Title: Auctions: Testing the Moderns | 1/22/1965 | See Source »

Hartford never finds time, in his condemnation of Picasso, to mention the artist's surrealistic paintings. Hartford likes surrealism. He thinks Salvador Dali is the greatest painter of contemporary times. He even forgives the surrealist painter, Tanguy, for not painting recognizable objects, because Tanguy's paintings are so meticulously three-dimensional. But what does Hartford think of Picasso's surrealism? How does he resolve the combination of his pet ogre of the twentieth century with his pet movement of the twentieth century? He shouldn't keep the answer to himself...

Author: By Daniel J. Chasan, | Title: Hartford's "Art or Anarchy?" | 12/17/1964 | See Source »

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