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...Atheneum reached out for more English landscapes and portraiture, samples of Dutch, French and Italian masters. A generation ago, thanks in part to a million-dollar bequest from Hartford Banker Frank C. Sumner, the directors began sampling modern art as well, e.g., Mondrian, Dali, Picasso...

Author: /time Magazine | Title: Art: 110 Years in Hartford | 5/19/1952 | See Source »

Four years ago, Salvador Dali renounced his old Freudian nightmares, and hit the sawdust trail toward what he calls "true artistic classicism." One of his first big efforts in this direction was his Port Lligat Madonna (TIME, April 17, 1950), but in shifting from the subconscious to the serene, he tripped over a clutter of surrealist paraphernalia and fell flat...

Author: /time Magazine | Title: Art: Dali In London | 12/17/1951 | See Source »

Last week, in his first London show in 15 years, Dali tried again with a crucifixion entitled Christ of St. John of the Cross. In his latest painting, Dali had cleared away most of the surrealist bric-a-brac, and contented himself with a spectacular downward view of Christ on the cross, suspended in dizzy midair above a placid seacoast...

Author: /time Magazine | Title: Art: Dali In London | 12/17/1951 | See Source »

...London failed to find much true artistic classicism. Instead, without the usual nightmarish litter to distract them, critics and gallerygoers were spotting some old Dali shortcomings more clearly than ever. The London Times dismissed Dali's recent work as "trivial and irreverent . . . singularly banal." In the Daily Express, Critic Osbert Lancaster applied the most devastating label of all: Victorian. In his "laborious accuracy and painstaking attention to detail," said Lancaster, Dali reminded him of some "minor academician" of Victoria's Royal Academy...

Author: /time Magazine | Title: Art: Dali In London | 12/17/1951 | See Source »

Hundreds of Spanish intellectuals hopefully signed their name to a telegram Dali vowed to dispatch to Picasso: "Know that despite your current Communism we consider your authentic genius an inseparable patrimony of our spiritual empire . . ." It was an invitation to Pablo to break with Communism and come back home to Spain...

Author: /time Magazine | Title: Art: Pablo, Come Home | 11/26/1951 | See Source »

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