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Such tongue-in-cheek stunts have earned Gugel the reputation of being a surrealist (TIME, Nov. 17, 1947). But like Salvador Dali, he now dislikes the tag; it is too tired for publicity purposes. "Surrealism," Gugel says, "started as an art of the subconscious, while I try to be as conscious as possible." Though he dotes on shoes to such an extent that they have become his trademark, Gugel insists that they have no Freudian implications for him. His grandfather, Gugel explains, was in the shoe business: "And I was always fond of grandfather...

Author: /time Magazine | Title: Art: Shoes | 11/6/1950 | See Source »

...colorless crystal* "do what the material wants to do." The designs, said Gates, fell esthetically "somewhere between the curves of the Taj Mahal and the straight lines of the Empire State Building." From time to time they called on such outside artists as Raoul Dufy, Thomas Hart Benton, Salvador Dali, Jean Hugo and Moise Kisling. Steuben never tried to figure out what the taste of customers might be. Says Houghton loftily: "We made taste." By 1935, Steuben taste had made Steuben a success...

Author: /time Magazine | Title: CARRIAGE TRADE: For Art's Sake | 10/30/1950 | See Source »

...Paris, surrealist Artist Salvador Dali complained that the U.S., which he had just visited, was no place for an artist: "The light . . . is no good. The food . . . is barbaric. They just pour on the salt and pour on the tomato catsup...

Author: /time Magazine | Title: People: People, May 29, 1950 | 5/29/1950 | See Source »

...Dali emerged from the underbrush of ten-dollar words long enough to sneer knowingly at his contemporaries. "Modern artists are afraid because of their lack of technique," he said, "to face up to the dazzling perfection of the Renaissance . . . The Holy Mother of God is more important than a fruit bowl and a knife...

Author: /time Magazine | Title: Art: Toward Raphael | 4/17/1950 | See Source »

...Renaissance overtones and technical eclat, Dali's canvas did no honor to its great subject. Compared with the religious paintings of such consistent moderns as Georges Rouault and Henri Matisse, Dali's was approximately as chill and shallow as a bent watch...

Author: /time Magazine | Title: Art: Toward Raphael | 4/17/1950 | See Source »

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