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...surrealists appeared to be on the decline. Max Ernst's bilious yellow Feast of the Gods looked somewhat as if Ernst thought the gods dined on toadstools and mustard. The cleverest thing about Salvador Dali's photographically sharp picture of a cloth egg under a parasol was its title: Geopoliticus...

Author: /time Magazine | Title: Art: Made in U. S. A. | 10/24/1949 | See Source »

When Salvador Dali's ballet, Mad Tristan, opened in Manhattan in 1944, it provided one critic with "a 25-minute yawn." Most other balletgoers yawned, too, if not so long-windedly, and Mad Tristan flopped. Last week, the Grand Ballet de Monte Carlo had given it five performances in London. This time the madness proved catching...

Author: /time Magazine | Title: Music: An Exasperating Procession | 7/25/1949 | See Source »

...critics liked it; one thought Mad Tristan "beautifully presented." But the Times spoke for the majority: "Regurgitation is a hygienic, not an artistic, process. Salvador Dali, turning aside from surrealistic painting to drama, has swallowed Wagner's Tristan and Isolde and spewed it up with much of the murky contents of his unconscious adhering to the gobbets...

Author: /time Magazine | Title: Music: An Exasperating Procession | 7/25/1949 | See Source »

...customers who still did not get the pitch, the program notes explained: "Dali sees the whole romantic philosophy of Wagner as an uninterrupted complex of impotence. An exasperating procession of wheelbarrows, heavy with the earth of reality, struggling up toward the inaccessible heaven of the ecstasy of love, at the summit of which there is only a precipice-love in death and death in love . . ." Only the New Statesman and Nation had the wit to smile at such Daliance and say the sanest thing heard in the hubbub: "How odd that people should have taken Mad Tristan ... so seriously...

Author: /time Magazine | Title: Music: An Exasperating Procession | 7/25/1949 | See Source »

When he was a young fellow, Italy's Giorgio de Chirico (pronounced keerico) was a red-hot surrealist and an inspiration to other radicals of the easel like Salvador Dali. Most of his favorite themes-the melancholy shadows of late afternoon, the animated manikins, the colonnades and lonely figures in otherwise deserted squares-have since become standard surrealist props...

Author: /time Magazine | Title: Art: Old-Fashioned | 5/16/1949 | See Source »

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