Word: dammit
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...quite a sight to see twelve senior Harvard Faculty members chasing down the halls of the Senate Office building, shouting at each other like little boys, "Wait for me!" and "Well then keep up, dammit!" As they crowded into the elevator. Bator explained "Mansfield knows we favor the other side-the executive. He will be impressed that the author of Presidential Power (nods to Neustadt) is going to him to say that he is now ready to risk 'monocracy.'" The little electric trolley that runs between the Senate office buildings and the Capitol is fun for all ages. The gang...
...symbolized by her attachment to the, businessman, Rod Taylor. Again, her basic reflexes are sound. Antonioni suggesting that she is capable of reaching a decision to resist forces' Antonioni condemns. In a brief meeting with some beautiful deranged children, corrupt as the angelic demons that end Fellini's Toby Dammit and La Dolce Vita, Daria is threatened by infantile gang rape and escapes fast, horrified at 'these mutants removed from society by a friend of hers. They inhabit America's barren unclear-testing-ground country, children of a social and cultural Hiroshima, like those of Losey's film These...
...consciousness from the tyranny of the corporate state-and maybe even after all that-there is no answer to a man who enjoys his act of rebellion, who says isn't-it-wonderful-look-at-the-art-and-music-it's-in-spring-o-hear-people-communicate-o-dammit-I-feel-free. What do you concede to a man who has no demands...
...third episode that keeps Spirits alive. Never Bet the Devil Your Head is Federico Fellini's first film since Juliet of the Spirits, and it is a 40-minute excursion across the surreal landscape of his boundless imagination. Never centers on a washed-up Shakespearean actor named Toby Dammit (Terence Stamp) who has come to Rome to star in "the first Catholic Western." He is hounded by his own self-contempt and haunted by a vision of a corrupt cupid from hell, a devil in crinoline (Marina Yaru), who appears before him bouncing a large and somehow ominous white...
Relevant Antiquity. Fellini and Cinematographer Giuseppe Rotunno (who also shot Toby Dammit) used tons of smoke, incense and cement dust to reproduce a sense of murky antiquity. Yet there is little doubt that, in scenes like the death of a patrician couple who prefer suicide to inevitable political assassination, Fellini is attempting to render this vast fresco as a giant metaphor for the 1960s. "If Petronius' work is a full-blooded description of the atmosphere of those times," Fellini admits, "the film that I adapted from it is a panorama, an allegorical satire of our present-day world...