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...Hell Yes” Beck gently teases his own hipness by posturing as the paragon of cultural mass-production: “code red cola war conformity crisis / perfunctory idols rewriting their bibles…fax machine anthems get your damn hands...

Author: By Laura E. Kolbe, CONTRIBUTING WRITER | Title: CD OF THE WEEK: Guero | 4/8/2005 | See Source »

...Hell Yes” Beck gently teases his own hipness by posturing as the paragon of cultural mass-production: “code red cola war conformity crisis / perfunctory idols rewriting their bibles…fax machine anthems get your damn hands...

Author: By Laura E. Kolbe, CONTRIBUTING WRITER | Title: CD OF THE WEEK: Guero | 4/7/2005 | See Source »

It’s not just the ability to party in our slippers that makes us love the Quad so much. We are well-fed, well-housed, and damn talented up here in Harvard’s northern woods. Our dining halls boast the best cooks (check the survey), we have the Pfoho Grille, and now crimsonfood.com delivers right to our doors. In the Quad, we have a higher frequency of singles—and obviously larger rooms in general—than any of the River Houses (with the exception of Mather’s lovely prison cells). There...

Author: By Lauren R. Foote, LAUREN R. FOOTE | Title: Royal Quadlings | 3/24/2005 | See Source »

This afternoon, PTC analyst Kristine Looney is sitting in her cubicle, whose bookshelf holds volumes by Ann Coulter and G. Gordon Liddy. Headphones over her ears, hand on the remote, she is watching the March 13 episode of Crossing Jordan. Suddenly, she hits the pause button. Why? "'Damn,'" she says. "And also they were talking about drugs." Looney, 25, transcribes the quote--"Damn. The second suitcase is still out there"--and it goes into the Entertainment Tracking System (ETS), the PTC's database on more than 100,000 hours of programming. "We track even those minor swears," says Looney...

Author: /time Magazine | Title: The Decency Police | 3/20/2005 | See Source »

...absurd—I don’t understand what importance you’re ascribing to those images, and Oasis used a cheeky Euro-looking logo more effectively than Blur ever did. Moreover, there’s the issue of whether or not cover art really means a damn thing, especially nowadays when a cover is expected to be bizarre and/or “artsy...

Author: By Drew C. Ashwood and Christopher A. Kukstis, CRIMSON STAFF WRITERS | Title: The Drawn-Out Battle of the '90s Brit-Pop Superstars | 3/18/2005 | See Source »

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