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Samborski also announced the Under-graduate Athletic Council for this year, composed of the House Athletic Secretaries. The Council members follow: Joseph A. Wyant, Winthrop, president; William F. Pennebaker, Leverett, vice-president; Dean R. Noyes, Dunster; Harold Glickman, Dudley; George Dana, Eliot, George B. Lyons, Kirkland; Edmund J. Docring, Lowell; William J. Bingham '16, Director of Athletics; Clarence H. Haring, Robert Woods Bliss Professor of Latin-American History and Economics and Master of Dunster House, and Samborski...

Author: NO WRITER ATTRIBUTED | Title: Adams Triumphs Over Eliot As Dudley Noses Out Dunster | 10/6/1939 | See Source »

World War I drove Charles Austin Beard, dean of U. S. historians, from the faculty of Columbia University. He was then militantly anti-German and prowar, but in October 1917 he resigned from the University because it had fired Pacifists James McKeen Cattell and Henry Wadsworth Longfellow Dana. Said he: "The University is ... under the control of a small and active group of trustees who . . . are reactionary and visionless in politics and narrow and medieval in religion...

Author: /time Magazine | Title: Education: Turbulent Times | 10/2/1939 | See Source »

...great consulter of the public, John Cotton Dana sat him down in 1914 and in 15 homely chapters cut through the welter of U. S. snobbery and callowness about Art. In his classic American Art: How It Can be Made to Flourish, he observed that the ability to tell a well-designed teacup should precede precious talk about Giotto; and he urged the purchase and study of contemporary work by U. S. designers and artists. The Museum lived up to this so consistently that in 1925, when Dana was in Italy and a rich Newark lady sent him $10.000 with...

Author: /time Magazine | Title: Art: Newark & Dana | 7/10/1939 | See Source »

Meanwhile Director Dana had brought art to the people by such further innovations as museum branches (in his own branch libraries), free tours for school children, exhibitions of well-designed articles bought for a dime apiece in the city stores, a "lending collection" of art objects ranging from Tibetan to Pennsylvanian, packed in neat boxes and borrowed like library books. When John Cotton Dana died ten years ago this month, he had coaxed the annual city appropriation from $10,000 to $150,000, upped annual attendance to 125,000, won the title of "Newark's First Citizen...

Author: /time Magazine | Title: Art: Newark & Dana | 7/10/1939 | See Source »

Since then the Newark Museum, under Director Dana's devoted successor, Beatrice Winser, has gone through lean years and come out with no activities lost. Meanwhile, the rest of the country has been catching up with it. Museum workers trained in Dana's "apprentice classes" (another first in the U. S.) have taken his fresh attack into a dozen important museums. Manhattan's Museum of Modern Art has adopted a policy of exhibiting industrial design, has added architecture. Most important of all, John Cotton Dana's social philosophy of art inspired the nation's first...

Author: /time Magazine | Title: Art: Newark & Dana | 7/10/1939 | See Source »

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