Word: dancerly
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...Wind Dancer Films story editor, Josh M. Bingham, says that in film, it is crucial to utilize the audience's knowledge and stereotypes. Harvard, he says, fits perfectly...
...make movies with Nicole Kidman and Jennifer Lopez. (O.K., that's not so strange.) Now GLORIA REUBEN, who plays ailing physician's assistant Jeanie Boulet, has declared she will be leaving after this season's first few episodes to hit the road as a backup singer and dancer for Tina Turner. Reuben, whose character usually ministers to patients with failing pulses, says she relishes the idea of playing before a live audience. "My entire reason for getting into the business was to make a mark in music," Reuben claims. "ER was a valuable, profitable sidetrack...
...other discernible reason than having shared the great one's bed is one Mrs. Peron of Argentina. Not Evita, who became a saint after her death but never actually ruled--no, the sorriest modern case of rule by consort is Peron's third wife, Isabel, a cabaret dancer he met during one of his exiles in Spain, who turned in one of the most disastrous presidencies in Argentine history...
...latest edition of Mikhail Baryshnikov's permanent floating modern-dance troupe teams the world's greatest living dancer with five talented women, none of whom get lost in his long shadow. Raquel Aedo shares center stage with her boss in a new pas de deux by Lucy Guerin, an Australian choreographer whose work first caught Baryshnikov's eye three years ago. The combination is potent: Soft Center is a laconic, coolly sensuous duet accompanied by a raspy electronic-music collage with a snippet of Paul Hindemith's mournful Trauermusik stuck in the middle (hence the title). Guerin is a major...
...effect fools the senses. In one sequence, a virtual dancer moves among a series of multicolored, vertical poles that seem to extend toward the back of the stage. The figure looks tiny as it steps into the background, huge in the foreground. Once you're accustomed to this exaggerated virtual space, the digitized dancers disappear, leaving only the virtual poles. Then live dancers appear onstage and traverse the same space. "You stop thinking of space as being one set construction, but rather as a myriad of possibilities," says Eshkar...