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...Broadway until she was given more to do, notably a film-fantasy scene set during the Bolshevik Revolution. Before that was written, Rivera found her role a sort of < decorative overlay, a symbol without a persona. It demanded a lot of her as a singer but not as a dancer or an actress. "I wanted to be a part of the story," she says. "Even now, I can't remember a show where I spent this much time in the dressing room...

Author: /time Magazine | Title: Along Comes the Spider | 5/3/1993 | See Source »

...then there is that inimitable chatterbox Twyla Tharp, who lightens a dry, cluttered program on postmodern dance. She talks up a storm about her work and, in rehearsal, cows a dancer and his ballerina into showing more feeling for each other. How did she get into choreography? "Nobody else would tolerate me so I had to make up my own dances," she explains. And so the camera catches her alone in a studio, bulky in practice clothes and noshing on a carrot, as she starts designing some steps to a Sousa march. Delightful...

Author: /time Magazine | Title: Rituals And Rhythms | 5/3/1993 | See Source »

Alas, Tharp, like almost every other dancer in the program, is shown in disconnected snippets, often without explanatory context. The reason is that the series' interest in dance is less aesthetic than anthropological. The message seems to be that all peoples dance, ergo all dancing is equal -- even though some tribal rites, no matter how sacred they may be, are about as interesting to watch as the growth of bamboo. What's more, Dancing is multicultural with a vengeance, meaning that the producers think it insufficient to examine the central role that dance plays in primitive societies; they must also...

Author: /time Magazine | Title: Rituals And Rhythms | 5/3/1993 | See Source »

...purchases from a street vendor. Madeleine finds frustrations in her paltry job, over-bearing summer theatre director and contradictory impulses towards flirting and serious involvement. In a series of bizarre dreams, she draws in Fergus and other characters from her closed world. In his own dreams involving a mysterious dancer, Fergus explores his frustration in his bisexuality, his inability to finish his book, and his exhiliratingly passionate nature...

Author: By Lawrence M. Brown, | Title: Sweet Dreams | 4/29/1993 | See Source »

Julie Zikherman (Fergus's fantasy woman/ summer theatre director Ellen), Lilja - Gretarsdottir (Madeleine's friend Jane) and Bruce Havelock (actor Eric), had roles in only the dream sequences. Zikherman wasn't expressive or endearing in her role as Ellen and gave little definition to her role as the dream dancer. Havelock had very little to do. But Gretarsdottir was solid in executing the role of the plain-speaking and overtly caring friend Jane...

Author: By Lawrence M. Brown, | Title: Sweet Dreams | 4/29/1993 | See Source »

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