Word: dancers
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...million. The stock has risen from $27.50 for 10 units in December 1994 to $43 today. IRSA, which had assets of only $150,000 when Elsztain founded it, is now worth close to $500 million. And future growth prospects seem as promising as the wanton look in a tango dancer's eye. --Reported by Uki Goni/Buenos Aires...
...chance to do any really meaningful soul-searching-but he comes brilliantly into his own in his dance scenes, throwing the "Real men don't dance" dictum gleefully to the winds and proving once again that there's nothing sexier, for straights and gays alike, than a good dancer. Tom Selleck also scores high marks as the smirking, skulking tabloid reporter eager to package Brackett into a juicy "Entertainment Tonight" or "Inside Edition" story; one of the movie's funniest moments, in fact, occurs when Kline turns a dumbfounded gaze on Selleck and says simply, "You are pure television...
DIED. JAMES STARBUCK, 85, pioneering Emmy Award-winning TV choreographer; in Beverly Hills, Calif. A ballet dancer by training, Starbuck gained prominence and a larger audience choreographing dance numbers for such stalwart programs as Your Show of Shows, Sing Along with Mitch and The Andy Williams Show...
Moved by an impulse he scarcely understands, he decides to take dancing lessons from an older instructor, while secretly eyeing the lovely and distant Mai (Tamiyo Kusakari, whose long-lined elegance suggests a Japanese Audrey Hepburn). A former competitive ballroom dancer and less-than-enthusiastic teacher, she rebuffs his shy initial advances, telling him plainly that he'd better not dance if it's her she's after. Piqued, he throws his best efforts into proving that he does want to dance, and ultimately makes the lie true. The dancing gets into his blood, providing him both release and fulfillment...
...quite match Ang Lee's wonderful gift for rendering social conventions hilarious, "Shall We Dance?" is bound to tickle the most staid viewer. It makes abundant, admittedly effective use of stock comic devices and characters. Eriko Watanabe cuts a droll figure as the experienced but caustic and somewhat unattractive dancer whom Sugiyama agrees to partner in an amateur competition; Naoto Takenaka hams it up as a painfully self-conscious colleague who dons a wig and hurls himself with fiendish gusto into the rhumba; Sugiyama's two fellow dance-pupils--one short and hyper, one big and docile--offer some great...