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...halt the exodus, the Saatchis divided their advertising empire into two separate international networks. Backer & Spielvogel was merged with Ted Bates, while Dancer Fitzgerald Sample and Compton were combined to form Saatchi & Saatchi Worldwide. Says Carl Spielvogel, chairman of the merged Backer Spielvogel Bates network: "We don't cooperate with the other network in any way. We compete for the same clients." Simultaneously, lesser Saatchi- owned agencies were arranged in smaller groups...

Author: /time Magazine | Title: Sibling Setbacks | 12/25/1989 | See Source »

...panic on then complacent Madison Avenue and helped fuel a merger frenzy as other agencies joined forces to stay in the game. Meanwhile the brothers bought and bought. Among the dozens of U.S. firms they scooped up were top names like Compton Communications (purchased in 1982 for $55 million), Dancer Fitzgerald Sample (1986, $75 million) and Backer & Spielvogel (1986, $100 million...

Author: /time Magazine | Title: Sibling Setbacks | 12/25/1989 | See Source »

Revenues spiraled as the Saatchis bought up rival ad agencies, including Dancer Fitzgerald Sample, Backer & Spielvogel, and Ted Bates in 1986. But returns on the investments dropped sharply as management failed to meld the pieces into a smoothly run global company...

Author: /time Magazine | Title: Sibling Setbacks | 12/25/1989 | See Source »

Anna and Larry have recently lost their roommate, Robby, a gay dancer who died in a boating accident. They are left to deal with personal grief and to grapple with the tragedy of the death of a talented artist. It becomes an even more difficult task when Robby's angry, crass brother Pale (Brian Gaspardo), continually crashes their apartment, disrupts their life and finds comfort in having sex with Anna...

Author: By Kelly A.E. Mason, | Title: Probable Rug Burns | 12/8/1989 | See Source »

Benjamin is equally ungraceful, and her character is a dancer, She wobbles in high heels, is painfully unflexible when she stretches and moves awkwardly through the all-too-generous stage space. Anna is supposed to be a fragile artist who feels deeply. Onstage, however, she is little more than vapid. Her love scenes with Burton or Pale are universally devoid of sexual energy, and the eventual fade-out to tinny music is welcome...

Author: By Kelly A.E. Mason, | Title: Probable Rug Burns | 12/8/1989 | See Source »

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