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...much for the more or less serious candidates. Chief Burning Wood, an "honorary" Hopi with "some" Delaware blood, will soon be on the political warpath in company with his dancer wife, who performs with snakes around her neck. A Tennessee preacher promises to walk the length of New Hampshire with a camel. A more pragmatic Indian also is scheduled to walk through the state-on snowshoes. Benjamin Fernandez, a Californian who wants more private-sector loans to small business, will be on the ballot, hoping to attract New Hampshire's nearly nonexistent Hispanic vote. A maker of stuffed frogs...

Author: /time Magazine | Title: In New Hampshire: Here We Go Again | 3/26/1979 | See Source »

...Kennedy Center program, Misha gave a special performance in the White House East Room; while dancing with Ballerina Patricia McBride, he soared so high in a flashing cabriole that his head very nearly collided with a massive crystal chandelier. Surviving that, Baryshnikov, alas, was unexpectedly hobbled by a familiar dancer's affliction, an aggravated Achilles' tendon, and forced to miss his final performances...

Author: /time Magazine | Title: People, Mar. 12, 1979 | 3/12/1979 | See Source »

Eventually Williams returned to San Francisco, where he hung around the city's small comedy clubs. While tending bar, he met a dancer named Valerie Valardi, whom he married last June. Valerie urged him to try the clubs in Los Angeles; she helped catalogue his material and shape his act. Once Williams had played Los Angeles' Comedy Store and Improvisation, he began to get TV work...

Author: /time Magazine | Title: Television: Manic of Ork: Robin Williams | 3/12/1979 | See Source »

Indeed Lulu, the tragedy of a dancer whose almost mythic embodiment of the erotic principle wreaks universal destruction and death, seemed to be the one modern opera that had everything: electrifying theatricality, sex, moral seriousness, virtuoso scoring-everything, that is, except a third act. When he died in 1935, Berg had completed the third act particella, or short score; but he left the orchestration incomplete and the act was never published. Ever since, opera companies have had to present Lulu in two acts, with a makeshift third act tacked...

Author: /time Magazine | Title: Music: Lulu Is the Toast of Paris | 3/12/1979 | See Source »

...optimistic realism of Not at the Palace helps Joe Masiell accomplish the near-impossible--he holds an audience's attention, alone, for some two and one-half hours. As a stage presence he has many gifts: a well-controlled and expressive singing voice, grace as a dancer, and the knack of an accomplished professional. He knows when to smile, when to chat with the audience, when to casually sling his jacket over his shoulder--and all this helps. But above all, he knows how to make you feel he actually believes his message; perhaps, and this would be a rarity...

Author: By Jamie O. Aisenberg, | Title: The Ghost of Vaudeville | 2/23/1979 | See Source »

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