Search Details

Word: dancers (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...film goes much deeper than that. The central dynamic in the film is the increasing tension between Tony and his Bay Ridge world. Tony is growing up, moving apart from this Italian ghetto. And that growth is immeasurably accelerated by Stephanie Mangano (Karen Lynn Gorney), another Bay Ridge dancer whom Tony meets at the 2001 and with whom he inevitably falls in love. Stephanie looks down on Tony and his neighborhood because she works in a Manhattan record agency, where everything is beautiful: "The people are beautiful, the offices are beautiful, lunch hours are beautiful, everyone shops at Bonwit Teller...

Author: By Eric B. Fried, | Title: Only a Slight 'Fever' | 1/9/1978 | See Source »

...Night Fever is set in the New York equivalent of Rocky's South Philadelphia-Bay Ridge, Brooklyn, an Italian-American enclave where working-class kids slave all week so that they can dress up and boogie on Saturday nights. Norman Wexler's screenplay focuses on the best dancer in the community, Tony Manero (Travolta), a paint-store salesman who still lives with his smothering family. Tony is ignorant of the world, narcissistic and, except on the dance floor, aimless. The film's story is about his tumultuous romance with another good dancer (Karen Lynn Gorney), a socially...

Author: /time Magazine | Title: Cinema: Discomania | 12/19/1977 | See Source »

DIED. Andre Eglevsky, 59, Russian emigre ballet dancer who started out with the Colonel de Basil Ballet Russe at age 14, was much in demand in the U.S. in the '40s and '50s as a leading dancer and, after that, as a coach who worked with such performers as Mikhail Baryshnikov and Fernando Bujones; of a heart attack; in Elmira, N.Y., where his touring company was performing The Nutcracker...

Author: /time Magazine | Title: Milestones, Dec. 19, 1977 | 12/19/1977 | See Source »

...before. This romantic comedy is a rather modest entertainment, but it forces its star to open up by placing him in a role that demands a generosity of spirit. The character Dreyfuss plays, Elliott Garfield, is a struggling New York actor who is mad for an emotionally battered Broadway dancer (Marsha Mason) who will have nothing to do with him. To win the woman's affection, Elliott must rise above his neuroses-he must be strong enough for two-and indeed Dreyfuss grows up before our eyes. For once he is the least insecure character in a film...

Author: /time Magazine | Title: Cinema: Wising Up | 11/28/1977 | See Source »

...that it is conning you-with sentiment, with flamboyance, with sheer slickness. The story is an odd combination of "Old Acquaintances" and one of those 1930s musicals in which the kid from the chorus becomes a star overnight. The old acquaintances in this case are actually old rivals-ballet dancers who chose different roads many years back and must now deal with the consequences. The ambitious one (Anne Bancroft) has become a great star, is now fading, and fighting it. Her friend (Shirley MacLaine) may have been as talented, but she married, had children, is running a ballet school...

Author: /time Magazine | Title: Cinema: Gotta Dance | 11/21/1977 | See Source »

Previous | 279 | 280 | 281 | 282 | 283 | 284 | 285 | 286 | 287 | 288 | 289 | 290 | 291 | 292 | 293 | 294 | 295 | 296 | 297 | 298 | 299 | Next