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Hali is a convincing and sensually exciting experience, from the actors and the dancer-nymphs, right down to the music, blocking and lighting--which leaves the audience rubbing its eyes. Go with no presumptions, no expectations. Just open up your senses and let this play make you experienced...

Author: By David A. Demilo, | Title: A Drama for the Senses | 4/16/1977 | See Source »

...answer is surprising. "Doing Ernestine is really a very sexual experience. I just squeeze myself very tight from the face down. The bottom line with Ernestine is that she's a very sensual person," says Lily, who herself moves with the free, confident grace of a dancer. "She's a woman who knows she has a very appealing body and likes to show...

Author: /time Magazine | Title: Lily... Ernestine...Tess...Lupe...Edith Ann.. | 3/28/1977 | See Source »

...sculptural wit is attained in the one statue that he put on exhibit during his lifetime (none were cast in bronze before his death) and the one that still remains his most famous piece of work in the medium. His biting humor becomes manifest in "The Little14-Year-Old Dancer," of which both the finished product and a study in the nude take their places in the exhibit. The nude study highlights the ironic contrast between the elegant, flowing pose the young ballet student has struck (her neck imperiously thrust back and her arms joined together in a graceful...

Author: By Mark T. Whitaker, | Title: Where Classicism Meets the Left Armpit | 3/9/1977 | See Source »

...paintings and sculpture, Degas captured these "rats" both graceful in mid-performance and in their less alluring offstage moments, as they turned dumpy and slump-shouldered tying their slipper laces or trudging heavily on their heels. ("After all, have you ever dated a dancer?" a modern critic of Degas' regularly asks his modern art classes. "I once did, and believe me, their legs are as thick as tree trunks and they eat, why they eat like horses...

Author: By Mark T. Whitaker, | Title: Where Classicism Meets the Left Armpit | 3/9/1977 | See Source »

This scrupulous examination of both physique and pose (many of the dancer pieces simply bear the name of the ballet position the subject is striking) pays off in some of the more original statuettes in the exhibit. In one series, "Dancer Fastening the String of Her Tights," Degas enlists his intimate knowledge of the graceful "arabesques" (here again meaning "pattern of lines") to ingeniously turn on its head the wit of his voyeuristic studies of women doing their toilette. While this particular task might conjure up a singularly awkward and unattractive image, Degas transforms it into a pleasing, fluid pose...

Author: By Mark T. Whitaker, | Title: Where Classicism Meets the Left Armpit | 3/9/1977 | See Source »

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