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Oriental gongs trembled as the beautiful young dancer swayed into Khmer rhythms. The bell tones of her name signify "Goddess of Flowers," and certainly Princess Bopha Devi, 25, eldest daughter of Cambodia's Prince Norodom Sihanouk, looks as serene and elegant as the white frangipani blossoms that she usually scatters through her hair. Now she was wearing the 6th century headdress, valued at $200,000, that marks her position as prima ballerina in Cambodia's Royal Ballet. It is a 2,000-year-old tradition that the leading dancer be the daughter of the king-and though Sihanouk...

Author: /time Magazine | Title: People: Jun. 7, 1968 | 6/7/1968 | See Source »

...Nutcracker, in which Drosselmeyer, with a Humbert-Humbert lurch, is transformed into the prince who pays court to the Lolita-like moppet Clara. Although a bit heavier than when he first jetéed his way to the West, Rudi proved that he is still the most spectacular male dancer in the world...

Author: /time Magazine | Title: The Dance: A Month of Now | 6/7/1968 | See Source »

...Wood (Bay colt, by Royal Minstrel out of Glade), Cochise, Count Fleet, King Saxon, Cavalcade, Three fillies, Sorrow and Song and Rust-remember?-And Scarlet Oak, Right Royal, and Red Ember, Nashua, Swaps, and Sting, and Twenty Grand, Wise Counsellor, Whirlaway, and Yellow Hand, Yurup, another gray one, Native Dancer-Where are the ones with breeding...

Author: /time Magazine | Title: Modern Living: BELMONT | 5/31/1968 | See Source »

...Unlike either Graham or Limon, he was known only to the relatively small group of hard-core modern dance appreciators. Yet this past Sunday saw the big house of the Brooklyn Academy of Music full of attentive, enthusiastic viewers. And, back home in lower Manhattan Cunningham and his lead dancer, Carolyn Brown, run one of the most active dance schools in the country...

Author: By Maeve Kinkead, | Title: Merce Cunningham & Dance Company | 5/29/1968 | See Source »

Finally, Cunningham believes in the interest-ingness of the ordinary world with its chance patterns of movement. At one point last Sunday, the dancers appeared on stage with street clothes covering their leotards. The stage manager wandered on stage, looking more like a dancer than any of the troupe who were resting on stage in a variety of comfortable "Not Dance" positions. The dancers meandered on and off stage. The bewildered audience was at times presented with no dancers, just the transparent and decorated plastic envelopes of the set, and the rattle of the score. One by one the audience...

Author: By Maeve Kinkead, | Title: Merce Cunningham & Dance Company | 5/29/1968 | See Source »

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