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...story of 19-year-old Bernard Chanticleer, son of the curator of pornography at the New York Public Library. In a hurry to achieve manhood in the approved way, young Bernard must choose between the love-sick squarehead who works with him and a sadistic nymphomaniac go-go dancer who doubles as a non-speaking actress in an off-Broadway play. In the end, of course, the right girl wins...

Author: By Glenn A. Padnick, | Title: You're a Big Boy Now | 4/11/1967 | See Source »

...Academy Award), lecherous poppa is Rip Torn; lecherous spinster is Julie Harris; Wise-guy friend is Tony Bill; big boy himself is Peter Kastner. But strangest of all is Elizabeth Hartman--the blind girl you all knew and loved in A Patch of Blue--as the disco dancer. She shakes, she shimmies. she is the most unremittingly evil person you'll meet all week...

Author: By Glenn A. Padnick, | Title: You're a Big Boy Now | 4/11/1967 | See Source »

Sherry Osborne twists, grinds, bumps and shakes two nights a week at the AH Baba Club in Schenectady, N.Y. She is 19, curvy, and makes $100 a week as a go-go dancer. During the day she is a senior at Albany's Philip Schuyler High School. Like 80% of Schuyler's 800 students, Sherry works for a living-which is just how Principal Ben Becker expects...

Author: /time Magazine | Title: High Schools: Academy for Hard Cases | 4/7/1967 | See Source »

Swallow or Spit? Though lumping all these people in a union of "artists" is a bit like calling a tailback a tap dancer, the performance of some of the pinch newscasters was worthy of an Emmy, or at least a Hammy, for the best comedy show of the season. Scripts rattled, eyes squinted at TelePrompTers. In Chicago, WLS Advertising Director Frank Nardi made his broadcasting debut as a substitute disk jockey, struggled hysterically to keep up the machinegun patter. Sample: "Hey there! That was the great Ramsey Lewis Duo. . . aah. . .trio. . .whee. . .It's. . .aah. . . . . .three minutes...

Author: /time Magazine | Title: Broadcasting: Portrait of the Artists | 4/7/1967 | See Source »

...register objection to three attempts to make legitimate this joyfully bastard show: the self-conscious counterpoint of the "Like You Like It" reprise; the weak, semi-serious ballad, "Is It Really Me"; and the tedious choreography of Pan's Dance, which wastes the considerable talents of Director Wilson and dancer Ron Porter...

Author: By Timothy S. Mayer, | Title: A Hit and A Myth | 3/10/1967 | See Source »

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