Word: dangerous
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Dates: during 1960-1969
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...committee also pointed to the danger that resident tutors "may adopt a policy of never saying anything at all about students to the Master and Senior Tutor." The group reported that investigations following several student suicides revealed that some people who had had "scattered evidence of potential trouble" had never reported it and had never done anything about...
...committee should have the power to decide who may associate with a Harvard student or faculty member if that individual invites association. Attorney General Mitchell's refusal to allow the Marxist economist Ernest Mandel to enter this country for a conference last week is an example of the danger of delegating the power to censor the entry of guests. The right of the Faculty and students to freely bring guests-including separated students-onto the campus is as crucial to the free exchange of ideas as is unrestricted speech in the classroom...
Negotiating tactics? Saigon's ability to fight? Has the basic American stake in Viet Nam changed? These are some of the questions of the war debate, issues on which thousands of lives depend and to which there are no simple answers. They are also problems that are in danger of being obscured as Richard Nixon's counterattack on the tactics and legitimacy of dissent overshadows the core questions. Opponents of his policies have managed to outshout-but not outnumber-those willing to give Nixon more time. Convinced that strong public support in the U.S. is essential if Hanoi...
...both playgoer and actor are forced to divest themselves of casual everyday preoccupations and behavior patterns. As Grotowski puts it, he wants to demonstrate "what is behind the mask of common vision: the dialectics of human behavior. At a moment of psychic shock, a moment of terror, of mortal danger or tremendous joy, a man does not behave 'naturally.' " By attacking the whole concept of natural behavior, Grotowski divorces himself from the cult of psychological realism, as exemplified, in the Actors' Studio. The Actors' Studio idea is that the self is an onion. If one peels...
...final note on interaction of character. Falstaff's mere presence is a danger and Hands's Ford was largely successful in averting it by drawing the play's energy into his transformation. Before he changes he can be quite funny; his interviews with Falstaff were particularly well done. One saw the carefully composed Mr. Brooke (Ford) presenting a nicely Falstaffian proposition; meanwhile, Falstaff relished his possibilities and promising success, while Ford inwardly rebelled and very nearly lost his composure...