Word: dangerously
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Dates: during 1960-1969
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...waning days of 1967, a noxious atmosphere pervades the nation's capital. "We are in danger of losing our sense of confidence in each other," warned Massachusetts' Democratic Senator Ted Kennedy. Said another Democratic Senator of the mood on Capitol Hill: "It's a tiredness, a frustration, an uneasiness. It's a war with no end AP in sight. It's a racial and urban problem with no end in sight. It's a fiscal problem with no end in sight. Maybe if we all get out of here, go home and listen...
...some of its members feared a court battle over the ownership of the diary. The Bolivian government, to be sure, had issued a decree claiming it owned all documents captured from the guerrillas. But Che's family might make a fight for the diary. There was the additional danger of pirated versions being circulated before the consortium members could publish. Already, several Bolivian army officers had made photocopies. Whoever finally buys the diary, it will probably be February at the earliest before readers around the world can learn what was on Che's mind as he watched...
...started to expand faster than batch-processing. The Medical School, and medicine in general, have started buying large chunks of time on the SDS 940. One new project responsible for this upsurge is a heart-care unit to monitor continuous heart-patient problems, and to detect subtler signs of danger than the cardiologist can ordinarily hope to notice. Consoles also aid interviews with patients suspected of having genetic problems, by rapidly accumulating genetic history...
...ambiguous enough to keep you wondering how serious the Beatles really are. Richard Poirier, the reigning Beatles explicateur, said last month in the Partisan Review that "the Beatles' most talented member, John Lennon, has written two books of Joycean verbal play that suggest why no one is ever in danger of reading too much into the lyrics of their songs." So don't sell the allusions short...
...remains to be seen whether the new thematic and technical freedom is a cause for unrestrained rejoicing; there is the obvious danger that it will be used excessively for the sake of gimmickry or shock. But the fact is that innovation is no longer the private preserve of the art houses but a characteristic of the main-line American movie. Two for the Road, otherwise an ordinary Audrey Hepburn vehicle, has as much back-and-forth juggling of chronology as any film made by Alain Resnais-not to mention a comic acidity about marital discord that is as candid...