Word: daniells
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Dates: during 1920-1929
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Here, until last year,-Stockbridge artists displayed their wares. Dean of the colony, of course, was Sculptor Daniel Chester French. Every colonist, every tourist, knew his Minute Man at Concord, N. H. It was in his Stockbridge studio that he modeled the great Lincoln of the Memorial at Washington. The design of the Minute Man was accepted in 1873. Last week, his daughter, Margaret French Cresson, viewed with pride his latest figure in bronze. It was called Whence, Whither, Wherefore. As chairman of the exhibition, Daughter could draw attention to Father's fine mastery of detail. But she allowed...
...week later, Daniel O'Leary, gangster, was spending a night with his mistress. Five men entered their rendezvous. They fired a salvo into the sleeping O'Leary. The woman went away with them...
...murder of Daniel O'Leary, one of four ganging brothers, seemed to be a retaliatory measure from Duffy headquarters. But the hearing of testimony germane to the murders gave way before the information of a stream of truck drivers, brewery bosses, alcohol dealers and other nondescript employees of what began to loom with increasing clarity as a monster liquor ring in the Philadelphia underworld...
...Marie Hungerford Mackay, 85, "the untitled Duchess," relict of John W. Mackay (Croesus of mines & cables), mother of Clarence H. Mackay (president of Postal Telegraph Co.); of heart disease in Roslyn, L. I., N. W. Born in Brooklyn, N. Y., the daughter of Civil and Mexican war veteran Col. Daniel C. Hungerford and his onetime Parisian wife, it was she who in the early '60s braved a squalid, vulgar Nevada mining town with her first husband, one Dr. Bryant. After his death she kept a boarding house in the mining camps. To her table came John W. Mackay, Irish...
...none of these three has succeeded in maintaining as has Augustus John, a triple allegiance with fashionable public, ultra-modernists and academicians. It is undeniable that no U. S. artist is included among the world's most popular portrait painters. Thirty years ago, Eastman Johnson and Daniel Huntington, painters of highly unequal merit, were accustomed to use their brushes, as though they had been valets' whiskbrooms, upon the handsome exteriors of fashionable people in Manhattan and elsewhere. Knoedler's Gallery is largely responsible for the change. Since the time when its senior partner began to import...