Word: daniels
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Dates: during 1990-1999
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...cool was to be "cool." And then, suddenly, it was not. As with all extreme cultural tendencies, something had to snap, and what began to show up in the mid-1990s was an insistent desire to feel passion again and show us you care. In 1995 psychologist Daniel Goleman published Emotional Intelligence: Why It Can Matter More Than IQ. The best seller was embraced in educational circles because EQ (emotional quotient) offered a way to counter IQ as a standard of intelligence. But it was also a signal that the public at large might be ready, indeed eager, to return...
...second-year medical student at the Harvard-MIT Division of Health, Science and Technology, and Phillips, a speech writer, will be joined by a third Harvard affiliate, Daniel F. Melia '66, in the tournament. Melia is a professor of Scandinavian and Celtic Studies at the University of California, Berkeley...
Across the lobby, a group of bricks on the floor shoot up tall waving poles crowned by ruby-red wax lips. Like Mergel's sculptures, "Bricks, Stalks, Lips" by Daniel O. Williams '98 toys with the distinction between the figurative and the abstract. Though economically constructed of the most mundane and inert parts, William's forest of rods refuse to be discussed in anything but the most animated and creaturely terms. Are they simply chatty bricks which grew tall necks for clandestine conversation above our heads? Or perhaps these poles sway precariously like some convention of bizarre supermodels--a mirage...
...Agassiz production is strongly bolstered by the work that has gone on behind the scenes; set designer Daniel O. Scully '99 has worked wonders in creating a thoroughly convincing corporate lobby on-stage--tiled walls, frosted windows, revolving door and all--whose startling multi-utility reveals itself in the Mikado's impressive entrance. The orchestra, under music director Bradford Chase and concertmaster Christina J. Hodge '98, is in good alignment with the stage performance, and handles the swift, tripping rhythms of the music with effortless precision. And for the sheer amount of continual clowning and motion on stage, choreographer Lorraine...
...appointed M. Daniel Hughes '01 at the beginning of this semester to act as a liaison for students wishing to use the system...