Word: danish
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Spivs & Mistresses. Since Author Wilson's implicit tenet is that to know people is to loathe them, the people closest to Gerald are farthest from him. His Danish wife is an octupal mom rich in bloodcurdling whimsy who speaks Teutonically fractured English. Their best years together have been the long ones they have spent apart. Gerald's only daughter has married a slack-spirited intellectual snob. His younger son is a BBC television personality whose public pitch is heart-tugging interviews with the wronged; privately, he is enamored of a blackmailing, homosexual spiv. Gerald's elder...
...flags across the lapel of his tails that made him look like a distinguished veteran of the Pacific campaign rather than the conductor of the Ballet Orchestra, stepped aside as we filed in. He was in the process of greeting Boston friends or relatives in a flurry of Danish, ending up with "I'll see you later...
...smirka" said the swarthy costumer. We looked puzzled until his clowning Danish assistant brought fourth tubes of make-up. After a few vain efforts which had to be corrected in the dim light of the wings, we descended once again to the stage, this time feeling more properly a part of the bustling company...
...like their ballet new, lean and glinting; they favor the New York City Ballet. Some like it pageantesque, formal and applauseworthy; they favor London's Sadler's Wells. Some like it storyful, mellow and magical; they had almost no place to turn except Copenhagen, where the Royal Danish Ballet spun comfortably on its 200-year-old tradition, rarely ventured into the outside world (TIME, Aug. 31, 1953). But last week the Danes were in Manhattan's Metropolitan Opera House, and provided crowds with something to cherish for years to come...
Foam Rubber. On the festive opening night (Danish national anthem, speeches, cheers) the featured work was La Sylphide, choreographed by famed August Bournonville in 1836 and passed down virtually unchanged from lip to toe. It begins with a round of mimed action during which some observers usually expect the dancers to burst into recitative and aria at any moment. The white-clad sylph (Margrethe Schanne), her supernatural character implicit in the tiny wings at her waist, falls in love with the Scotch farm boy (Henning Kronstam); but when the family arrives, she dashes over to the fireplace and literally whisks...