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...title [“Beatrice & Virgil”] is an obvious reference to Dante??s “Divine Comedy.” What aspects of the poem inspired your new novel...

Author: By Anna M. Yeung, CRIMSON STAFF WRITER | Title: 15 Questions with Yann Martel | 4/23/2010 | See Source »

...title, “Beatrice and Virgil” refers to Dante??s sublime and venal guides through Paradise and Hell in the “Divine Comedy.” Martel evidently hopes to draw a parallel between Dante??s experiences in the afterlife with the sometimes-agonizing human experience of life on Earth. Beyond that obvious reference, “Beatrice and Virgil” is full of literary allusions. Martel borrows heavily from the mood of manic stasis in Beckett’s “Waiting for Godot...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Martel’s Tribute to Silent Victims of the Holocaust | 4/6/2010 | See Source »

What are the similarities between Dante Alighieri and Steve Buscemi? First time writer and director Hue Rhodes may be the only one. Loosely based on Dante??s “Inferno,” “Saint John of Las Vegas” follows a reformed gambler’s trip to his own personal “hell” as he is led on his first investigation of insurance fraud. However, though the performances are uniformly strong, only viewers who are already deeply familiar with Dante??s poem will be able to understand...

Author: By Lauren B. Paul, CONTRIBUTING WRITER | Title: St. John of Las Vegas | 2/17/2010 | See Source »

Rhodes lucked out with his selection of actors, because their performances are the only thing that gives the film any merit. The overarching message of the film is actually incomprehensible unless the viewer has the critical prior knowledge that the film is based on Dante??s “Inferno...

Author: By Lauren B. Paul, CONTRIBUTING WRITER | Title: St. John of Las Vegas | 2/17/2010 | See Source »

Tambellini cites Byzantine art and Dante??s “Inferno” as other important early influences. Meaningful later influences include Sergei Eisenstien, Jackson Pollack and Andy Warhol. When Tambellini was sixteen, he moved to Syracuse, New York, where he attended art college. In 1959 he moved to Manhattan, where he co-founded and opened the Black Gate Theater to show experimental films in 1967. In 1976 he moved to Cambridge. For eight years he served as a Fellow at the Center for Advanced Visual Studies at the Massachusetts Institute of Technology, where he specialized in media...

Author: By Elizabeth D. Pyjov, CONTRIBUTING WRITER | Title: Tambellini Discusses Blackness at HFA | 2/17/2010 | See Source »

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