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Word: daring (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Martin flush on the nose, opening a spigot of blood. After the round, as cornermen tried to stop the flow, Jim asked Christy if she wanted to continue. "I was concerned because she's my wife first, my fighter second," he says. "She told me, 'Don't you dare stop this fight.'" Martin's persistence was rewarded not only with the decision, the cheers of the crowd and the W.B.C. women's championship belt, but also with what for her was the ultimate compliment. "A few hours after the fight," she says, "I passed Mike Tyson at the hotel...

Author: /time Magazine | Title: SPORT: BELLE OF THE BRAWL | 4/1/1996 | See Source »

...dare imagine the consequences to these candidates after consuming a sausage calzone, a gyro, a samosa, a pastrami on rye with a half-sour pickle, a pint of brown ale, a dozen baby back ribs and a cannoli, all in 45 minutes? Will the Secret Service have the sense to avoid disaster by leaping in front of their candidate and wrestling the innocent-looking kielbasa to the ground...

Author: /time Magazine | Title: The Looking Glass: THE PEPCID PRIMARY | 3/11/1996 | See Source »

...DARE TO EAT A PEACH...

Author: /time Magazine | Title: People, Feb. 19, 1996 | 2/19/1996 | See Source »

Shocking? No. More a measure of the movie's originality. For, age difference aside, Hutton and Portman are perfectly matched ironists--''Romeo and Juliet, the dyslexic version," as she calls them--dealing with the largest irony of all, the fact that they dare not touch, let alone dream of fulfillment together. Their rue and wryness are characteristic of Scott Rosenberg's writerly script, the playing of their encounters typical of a fine acting ensemble and of Ted Demme's discreet yet forceful direction. Beautiful Girls is always in touch with reality but never drowned...

Author: /time Magazine | Title: CINEMA: FOOLS FOR LOVE | 2/19/1996 | See Source »

...also has a literal dark side. His most enduring pictures dare you to see in the dark. They're so heavily shadowed that your eyes have to adjust to the carbon-tone depths. In his portraits of jazz and blues artists like John Coltrane and Jimmy Scott, the darkness of the nightspots where they work is also a spiritual working condition, a favorable climate for an art in which the self might need to be in communication with its surrounding shadows. There's a different feeling to the darkness in his after-hours street scenes. This isn't just...

Author: /time Magazine | Title: PHOTOGRAPHY: THE SHADOWS KNOW | 2/12/1996 | See Source »

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