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...movies in a category that has, over the past decade or so, been hijacked by "worthy," mostly unpopular films that don't come close to representing the technical and storytelling savvy that modern Hollywood artisans are so very good at. In other words, an action film like The Dark Knight. In other words, a Pixar feature like WALL-E. If today's announcement did anything concrete, it certified a Big Picture nomination for Pixar's Up and maybe - I mean, why not? - Star Trek. Wouldn't it be nice to wake up on Oscar-nomination morning and hear, for once...

Author: /time Magazine | Title: Why the Oscars Need 10 Nominees | 6/25/2009 | See Source »

...Goodbye, Mr. Chips - and Frank Capra's all-time rabble-rousing political drama Mr. Smith Goes to Washington. If there'd been just five slots, the roll call might have ended there. But since 10 was the magic number, there was room for two transcendent weepies, Dark Victory (Bette Davis loses her sight) and Love Affair (Irene Dunne loses her legs), plus a musical, The Wizard of Oz, a western, Stagecoach, and a romantic comedy, Ninotchka - all of which are close to being the definitive examples of their genres...

Author: /time Magazine | Title: Why the Oscars Need 10 Nominees | 6/25/2009 | See Source »

...Left out were acclaimed movies that did sell a few tickets: The Dark Knight, the highest-grossing film since Titanic, and the Pixar instant-classic WALL-E, which had the top rating among critics of any 2008 release. Another animated feature, DreamWorks' Kung Fu Panda, was brimming with brio; and didn't Iron Man parade as much filmmaking skill as any of the nominated five? Not to mention, except skulkingly, under one critic's breath, Speed Racer...

Author: /time Magazine | Title: Why the Oscars Need 10 Nominees | 6/25/2009 | See Source »

...Designs by the label Allerleirauh, founded in 1986 by Katharina Reinwald and Angelika Kroker, and the work of fashion photographers such as Sven Marquart and Sybille Bergemann reflected the atmosphere of decline. Clothes by Allerleirauh used mainly dark colors and lots of leather - a material that was hard to come by in the G.D.R. and that the designers would pick up straight from the manufacturers. Photos on display in the Berlin exhibition show the clothes against a backdrop of old staircases and rundown gray façades, making for a dark fairytale-like mood full of neo-Romantic pathos...

Author: /time Magazine | Title: Fearless Fashion in the Former East Germany | 6/24/2009 | See Source »

...Free Within Borders" revisits the forgotten fashion scene of the German Democratic Republic (G.D.R.). Using photographs, videos and model dresses, it pays tribute to a subculture that would not accept creative limitations, despite the restrictive society in which it existed. (See pictures of East Germany making light of its dark past...

Author: /time Magazine | Title: Fearless Fashion in the Former East Germany | 6/24/2009 | See Source »

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