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Word: darke (lookup in dictionary) (lookup stats)
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...didn't play many solos or sing lead on anything you're likely to remember. He had just two moments to himself in the songwriting sun: the echo-heavy ballad Us and Them and the wordless The Great Gig in the Sky from Pink Floyd's sad epic Dark Side of the Moon. Shy, gentle and very private, Wright was proof that not every rock star feels the need to act like one. "In the welter of arguments about who or what was Pink Floyd, Rick's enormous input was frequently forgotten," said Wright's bandmate David Gilmour...

Author: /time Magazine | Title: Richard Wright | 9/18/2008 | See Source »

...Dark Knight to be rereleased for OSCAR consideration in January. Cue backlash...

Author: /time Magazine | Title: Pop Chart | 9/18/2008 | See Source »

...tries to mess with you, you don't initiate trade negotiations--you unleash the Force on his puny, goody-good Jedi ass. You shock him, you boomerang your light saber at him, you grab him by the midi-chlorians and chuck him off a cliff. It's an authentically dark Star Wars tale and the perfect antidote to years of Ewok-flavored cuteness...

Author: /time Magazine | Title: 5 Things You Should Know About | 9/18/2008 | See Source »

...band: In this drama, di Pasquale is judge, jury, executioner, and the man on trial for indecent exposure. While the magazine contains a (fully-clothed) interview with a recent graduate named Fiona, a slightly outdated “look ahead” at summer blockbusters like The Dark Knight, and other such scintillating tidbits, the main attraction is a set of photos of di Pasquale posing nude at various locations around the Charles River, sometimes with his skateboard in tow. This charming tableau au naturel is complemented by an interview with di Pasquale conducted by (who else?) Matt di Pasquale...

Author: By Daniel E. Herz-roiphe | Title: A Diamond in the Buff | 9/18/2008 | See Source »

...became aware of a pattern that was evolving - we would do a comedy, then a thriller and then a serious play. With the comedy, all the lights came up to full. And everyone was very, very loud and terribly fast. And in the serious plays, it was positively dark, and everyone was talking very quietly. And I thought, I'd love to write a very, very slow comedy, with none of the lights on. And then I'd write a very bright tragedy, with lots of lights...

Author: /time Magazine | Title: Alan Ayckbourn's Curtain Call | 9/17/2008 | See Source »

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