Word: darkeness
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Dates: during 1980-1989
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Lachow's opening device is typical Instead of trying to coddle the audience through a long expository opening scene with clowns and cavortings, he leaves the Ex dark for at least ten minutes, forcing the audience to concentrate as four disembodied voices exhaustively lay out the play's premise. The King of Navarre (Alex Pearson) has persuaded his three friends. Dumanine, Longaville, and Berowne, to join in a vow to study for three years-fasting, rarely sleeping, and forswearing the company of women. They all swear, despite misgivings, quite forgetting that the Princess of France is arriving that...
...sulks and squabbles even as it breathes the ennobling air of tenement America. His balky siblings gravely crimp this Broadway Joe's ambitions, sexual, social and financial. Has he not promised his father to keep the family together? Does he not search endlessly to find husbands for the dark-skinned sisters? Where, then, is his free time? How can his soul soar? Still, even with these burdens, the $40-a-week rug salesman (with a shoeshine parlor on the side) manages to realize a few grandiose immigrant dreams. With his employer, the mysterious, immensely rich Mr. Fernand Sarrafian, senior...
...character's social trepidations as a student at Williams and Yale. His college nickname was Gadge, short for Gadget ("I was small, compact and eccentric"), but there is nothing mechanical in his development of The Anatolian. With humor and affection, as well as a bruised sense of the dark side of immigrant life, he has woven a saga as richly textured as a fine Kirman carpet. Or one of the great old Kazan films, for which The Anatolian would have made fine grist. -By Michael Demarest
...ever for a race horse at auction. Sangster outbid Sheik Mohammed bin Rashid el Maktoum, Dubai's Defense Minister and the heir apparent to the throne of the principality, who dropped out after offering $4 million. Sangster breezily announced he would have gone higher to get the magnificent dark bay, a son of Nijinsky II, Europe's Horse of the Year...
...little brio and imagination, music directors could offer them something fresher and equally palatable? Instead of Zarathustra, for example, why not Strauss's eloquent valedictory, the Metamorphosen for 23 solo strings? Instead of yet another oft-encountered romantic symphony, how about Austrian Composer Franz Schmidt's dark, troubled Fourth Symphony? Instead of one more go at Dvořák's "New World" Symphony, why not his exhilarating tone poem The Wood Dove...