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...says of her new land. While she feels that the training Soviet musicians receive is superior, Davidovich believes American orchestras are better than their Russian counterparts, and she praises the emphasis on chamber music in the U.S. Like other emigres from totalitarian countries, however, she sees a darker side to the many liberties Americans enjoy. "For me, freedom has meant I am free to work and go where I please, when I want. But America knows another side of freedom that can lead to many bad things. The problems with crime are horrible here...

Author: /time Magazine | Title: Pianist Bella Davidovich: Four Who Brought Talent | 7/8/1985 | See Source »

...pioneer immigrant directors -- Maurice Tourneur from France, the Germans Ernst Lubitsch and F.W. Murnau -- imported civilized modes of fantasy, comedy and folklore. But the new exiles had darker stories to tell, and through them Hollywood found its caustic maturity. Here were artists with an outsider's perspective and, suddenly, an insider's clout; they could celebrate the temple of American success while keeping an eye on the cracks in its facade. The industry, or at least that part of it that handed out awards, was grateful: eleven of the first 20 Oscars for best direction went to immigrants, from Frank...

Author: /time Magazine | Title: Cinema: Magic Shadows From a Melting Pot for New Americans, the Movies Offered the Ticket for Assimilation | 7/8/1985 | See Source »

...Iran ("They shouldn't have been there six days, let alone six months") was thrown back at him as the world watched. He was chastened. But one of Reagan's strengths is that at such moments, he has an extraordinary control of his temper. Common sense crowds out darker impulses, and after eating crow for half an hour on prime time, the President -- and the country -- mercifully moved on. Now, like his predecessor, Reagan is learning that moving the fleet and grimacing on television have little effect on a fanatic...

Author: /time Magazine | Title: Rhetoric Gives Way to Reality | 7/1/1985 | See Source »

Like children listening to a favorite bedtime story, classical audiences love to hear the same works over and over, and most of the time the record companies give them what they want: Bach Brandenburgs without end, Beethoven symphonies without number. Occasionally, however, a darker side surfaces, and . something different is unearthed: arcana by a famous composer, perhaps, or a new piece by a living artist that seeks to reveal the skull beneath the skin. A trio of recent releases for the adventurous shows the eerie attractions of mood music...

Author: /time Magazine | Title: Music: Tunes From the Darker Side | 6/24/1985 | See Source »

...show turns darker and funkier, with a lot of smoke bombs and jungle-queen strutting in silhouette, toward something like a 14-year-old's florid conception of adult sexuality. Madonna comes onstage with a big portable stereo boom box and goes into a routine that sounds like the dirty jokes that eighth-graders giggle over. "Every lady has a box," she says. "My box is special. Because it makes music. But it has to be turned on." Adults wince, but the youngsters love it. "I like the way she handles herself, sort of take it or leave it," says...

Author: /time Magazine | Title: Show Business: Madonna Rocks the Land | 5/27/1985 | See Source »

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