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...President brother. But who will help him? His father (John Huston), a wily priapic megamillionaire who lopes through his several palaces in flaming red Jockey shorts? Nick's sultry girlfriend (Belinda Bauer again), who may work for a national newsmagazine and then again may be employed by darker powers to lead Nick by the leash of his lust? Perhaps the demented genius (Anthony Perkins) who runs the Kegan empire by computer, storing "black holes of information" until the data can be used to gobble up a company or topple a regime? By the end, Nick can believe only...

Author: /time Magazine | Title: Cinema: Power Plays | 3/7/1983 | See Source »

After some reflection, Lucero came around. "I'll agree with you. It was a stupid decision." Levitas harbored darker suspicions about the shredders: "I have in formation that they were heavily used at night and on the weekends. Anyone who believes that all this was done by a GS 7 [clerk] still believes in the tooth fairy...

Author: /time Magazine | Title: Extra! Extra! Shredder Update | 2/28/1983 | See Source »

...superficial ease where disaster keeps bobbing to the surface like a corpse in a reflecting pool. I Love L.A., which opens the record, is a mock-heroic epic of the sun-kissed glories of Southern California, mixing conventional imagery of Beach Boys serenades and fast rides in convertibles with darker asides about "a big nasty redhead" and a bum "down on his knees." Like the other keynote songs on the record-Christmas in Capetown, Miami-I Love L.A. turns the topography of tourist cliché into a nightmare landscape on which the sun never sets...

Author: /time Magazine | Title: Music: The Smiler with a Knife | 2/14/1983 | See Source »

...brother, returns from a mysterious absence to join the others and Coach Delaney (Robert Mitchum). "It's amazing." Tom comments, "nothing's really changed here. Nothing. "Of course, Tom's comment overlooks the closing of his old high school; the dark desertion of its gym parallels the changed and darker nature of his old friends...

Author: By Richard J. Appel, | Title: Post-Game Show | 1/21/1983 | See Source »

...anybody used to the more conventional style of her earlier hits like "Man With the Child in His Eyes.' The contrast with her old style persists throughout the new album, each song pressing a new experiment in sound or subject matter. For the most part, she experiments with a darker, heavier sound. She seems to want to dispel her soft-rock image, without resorting to an electric guitar. Instead, she alters her singing style and makes frequent forays into non-Western musical styles...

Author: By Michael Hasselmo, | Title: A Separate World | 1/19/1983 | See Source »

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