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...experiences as a writer, her lasting friendships with the great men of the age (Alexander Graham Bell, Mark Twain, and Franklin D. Roosevelt '04, who proclaimed that "Anything Helen Keller is for, I am for.") Yet while doing justice to Helen's great achievements, Lash does not avoid the darker sides of her life--the split with Dr. James Anagnos, the director of the Perkins Institution for the Blind; Helen's failure to find gray tones among the blacks and whites of morality; and her eagerness to hit the vaudeville circuit to support herself and her efforts for the American...

Author: By Robert O. Boorstin, | Title: Prosaic and Parasitic | 6/27/1980 | See Source »

...iconostasis, suggest how far her desire for an environmental art has transcended decoration. The sculpture does not merely sit on the wall; it appropriates the whole surface, making the room itself an instrument of reverie. Spotlights play on the graphite-black surface of the sculptures, carving patch within darker patch of shadow until the inner forms of the wall are drowned in obscurity and only the faintest rustle of black under black suggests their presence...

Author: /time Magazine | Title: Art: Tsarina of Total Immersion | 6/16/1980 | See Source »

...late 1940s and early '50s, when his recordings with Stan Kenton, Shorty Rogers and other West Coast jazzmen first brought him to prominence, his sound combined traces of Lester Young's cool obliqueness with Charlie Parker's harmonic and rhythmic complexities. Later he took on a darker, sometimes harsher quality as he came under the influence of John Coltrane's stabbing, honking outcries and modal sheets of sound. Last week's performances showed how successfully he has brought all these strains together within a distinctive, fiery lyricism...

Author: /time Magazine | Title: Music: What Dues He Had to Pay | 5/26/1980 | See Source »

...condescension of the Salvation Army sermons, Bill's amorality, Lil's sexuality--these elements of Feingold's adaptation should have been emphasized in the production. The Brecht and Weill characters, as revealed in their songs, are not the cute bumblers of Jones' production. The two paint a much crueler, darker world, a world in which the little guys squander their energies fighting each other instead of their common exploiter. The ending is farcical in this production; Jones' interpretation sacrifices nuance and social commentary for humor. Happy End is amusing, enjoyable, expertly presented--but too slick...

Author: By Susan D. Chira, | Title: Kurt and Bert, Redux | 5/6/1980 | See Source »

...have personal consequences: his sister-in-law is banished for adultery, his stepdaughter jailed for fornication. "I have found it to be true," observes a friend, "that men who know what is best for society are unable to cope with their families." Some of Calvin's decisions have darker and more far-reaching echoes. Prefiguring Salem, he allows some 30 "witches" to be burned, drowned or hanged as scapegoats during an epidemic. And he becomes, like so many rebels, fiercely doctrinaire, letting the refugee heretic Michael Servetus go to the stake...

Author: /time Magazine | Title: Books: Angry Prophet | 4/7/1980 | See Source »

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