Search Details

Word: darkly (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...Dark Corridors. The opera's hero, Franz Wozzeck (Baritone Hermann Uhde), is a cloddish German soldier who recoils with protoplasmic twitches and tremors from the shock currents of life. Haunted by nameless terrors, persecuted by everybody around him, he stumbles down the dark corridors of his world like a crippled blind man, lacking even the tragic dignity that a suggestion of malevolent fate might give his life. He is ridiculed by his captain (Tenor Paul Franke), who seems to stand for all the bluster of petty militarism. He is used as a guinea pig by a doctor (Bass Karl...

Author: /time Magazine | Title: Music: Wozzeck at the Met | 3/16/1959 | See Source »

...Dark Coasting. For two nights Pioneer IV was held on its pad, once because of low clouds, and once because a radio instrument failed to function. On the third night the bird lifted off only 4 seconds late. The Jupiter fired for 182 seconds. As it passed through a high veil of cloud, a bluish ring formed around its orange tail flame like a ring around the moon. After 55 seconds of dark coasting, a faint light bloomed in the sky as the second-stage rockets fired. Then Pioneer IV disappeared...

Author: /time Magazine | Title: Science: U.S. Planet | 3/16/1959 | See Source »

...balding man in crepe-soled shoes and a dark blue suit strolled quietly into the blockhouse opposite Pad No. 5 at Cape Canaveral, where Juno II stood tall and white with the gold-plated cone-Pioneer IV-hidden in its nose. Carrying his 72-page countdown book, he ambled around the blockhouse. The countdown had begun at 12:06 p.m. and was going well. He looked up at the rocket. "Very dignified," he observed approvingly. Later, as is his custom, he patted it affectionately before taking his position behind the three sheets of thick tempered glass that protect blast...

Author: /time Magazine | Title: Science: Quiet Rocketman | 3/16/1959 | See Source »

...pies begins each picture with a cloudy idea, possibly just a word, such as "serpent" or "tree." In working, he may decide to paint only the skin of the serpent, or the texture of wood. This usually involves mixing marble dust or sand with his dark pigments: the result is like a shallow bas-relief with muted colors suggestive of the earth's own crust. Tàpies confesses to "struggling" with his materials, then intently observing the outcome: "I am the first spectator before my canvas. I am a normal man. If it touches me, it will touch...

Author: /time Magazine | Title: Art: The Black Prince | 3/16/1959 | See Source »

...pies studies philosophy, tries to express something of "its tranquility and austerity" in his dark art. The predominantly grey coloring of his pictures does not give a colorless effect but, like a pebble in a stream bed, hints at a glistening multitude of hues. Grey Borders (see cut) reminds Tàpies of a "well-raked garden in a Zen Buddhist temple," but he is quick to point out that he saw a photo of such a garden only after finishing the picture. Certainly it is both austere and serene; if it also seems pretty empty, it is the emptiness...

Author: /time Magazine | Title: Art: The Black Prince | 3/16/1959 | See Source »

Previous | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | Next