Word: darkness
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Dates: during 1980-1989
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...Grateful Dead are gearing up for a celebration of their 25th anniversary next year with the release of their 12th studio album, Built to Last. Originally scheduled for release several months ago, the Dead's long-awaited follow-up to 1987's surprise hit In the Dark was delayed in production and post-production until this week. But Halloween is as good a time as any for a new Grateful Dead album, and Garcia & co. have managed to provide some pleasant tricks and treats on their new album that indicate the Dead will indeed be truckin' for some time...
Overall, Built to Last is a very soft-spoken album. The tempered pace may disappoint fans who enjoyed the quick cadences and easy accessibility of In the Dark, but the soft, melodic nature and homogeneous texture of Built to Last lends the Dead's newest project strength as well as weaknesses. The album does hold up well after repeated listening, and while none of the tracks are particularly catchy, they are interesting enough to be fresh the second and third time around...
Musically, while the lack of a stand-out single does make Built to Last appear less commercial than 1987's In the Dark, the album does retain the dominant vocals and background instrumentation that have defined the Dead of the 1980s and set them apart from their psychedelic past. Bob Weir's "Victim or the Crime" is the exception which proves the rule on the Dead's newest release--this seven-minute, 33-second composition quickly devolves into a reflection back on some of the Dead's early tonal experimentation and instrumental jam sessions...
...their living room. Far more surprising, and a bit unnerving, was the eerie sensation Tuesday night: the tidy coherence and instant packaging that normally make television such a reassuring national touchstone were replaced by the unusual experience of watching as the medium was forced to grope in the dark. "When you're used to being able to flick switches and have things pop up on satellites, it's frustrating and even terrifying to realize that you have no way of finding out the dimensions of a disaster," says Robert Murphy, ABC's vice president of news coverage. "You feel...
...said early descriptions of AIDS as "fatal," "mysterious," "out-of-nowhere," and "unknown" influenced the public's perception of AIDS. Later, television focused primarily on gay, middle-class white males for story material or photographed poor Blacks shooting crack in dark alleyways, stereotyping AIDS as a disease of drug abusers and gay men alone...