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Word: darkness (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...first film shown, was a montage of clipped, obscured, and often beautiful passages ranging in focus from anonymous people in transit to flowers and vegetation. More frequently than not, it was unclear exactly what the objects were—whether because the shot was too tight, too dark, or simply with too foreign a subject—leaving the viewer with little more than free-associative and mnemonic inference. But this is all part of Dorsky’s vision. “The whole idea is to set up tension that you as the viewer synapse the completion...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: LINEAR PERSPECTIVE: Nathaniel Dorsky | 12/12/2008 | See Source »

...film veers wildly off track in its second hour. Writers Jody Savin and Randall Miller abandon any sense of character motivation or narrative structure, opting instead to turn the film into a frenetic, confusing revenge play. While “Nobel Son” may be intended as a dark comedy, its casual depictions of sadism and brutality quickly become tiresome. The man attacked in the opening sequence reappears later on, and his traumatic experience is essentially played for laughs. A minor character is also viciously murdered midway through the film, and his death is characterized as little more than...

Author: By Evan T. R. Rosenman, CONTRIBUTING WRITER | Title: Nobel Son | 12/12/2008 | See Source »

...onward they sped, through the wide French doors and into the darkened hallway that was already filling with smoke. Felicity wielded the torch like a broadsword, swung it left and right. Slowly the dark house came alight with fire. She paused at the top of the great staircase. In the gray din below, she thought she saw a thread of golden hair. It disappeared, and then she saw her imbecile of a husband running in the same direction. He must not reach Roxanna! Felicity hurled the burning torch down the stairs at Frederick’s feet. Frederick shrieked...

Author: By Lesley R. Winters, CRIMSON STAFF WRITER | Title: THE STABLE BOY | 12/12/2008 | See Source »

...dialogue between the lieutenant and the sergeant who accuses him. Bohrer explores how to present the ambiguities of the story through theater. “Leaving things up to the imagination really draws the audience in,” he says. He stages much of his action in the dark and at one point plays flashlights across the audience to replicate the effect of blinding searchlights. Another act focuses on a college professor who has experienced the trauma of a series of car accidents, while the third imagines a dystopian future. Though each has a different setting and plot, they...

Author: By R. DEREK Wetzel, CONTRIBUTING WRITER | Title: Truth Can Be 'Slippery' Onstage | 12/12/2008 | See Source »

...looked away from the house, it was a peaceful night. The dark sky was dotted with stars in the way that only the sky over a British moor could be. A cool mist crept over the purple hills toward her, and she longed for it to hurry, it looked so fresh and cleansing...

Author: By Lesley R. Winters, CRIMSON STAFF WRITER | Title: THE STABLE BOY | 12/12/2008 | See Source »

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