Word: darkness
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Dates: during 2000-2009
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...Automobiles. And as a portraitist of teen angst, he was a sunnier Salinger, a comedic S.E. Hinton. Anyway, Hughes was just what Hollywood needed and rarely got: somebody whose films weren't about teenagers but inside them. Almost never before had kids looking for wish fulfillment in the dark found movies that shed a little light on their own lives...
...Hughes showed teenagers that light, with a rose-tinted glow. His Molly trilogy - Sixteen Candles, The Breakfast Club and Pretty in Pink, all starring actual teen Molly Ringwald - mined the emotional convulsions that make every kid feel he or she is the first lonely explorer on the dark side of the moon. In his mid-30s, Hughes got spookily in sync with the swooning narcissism of adolescence: that teachers are torturers; that parents are sweet but don't quite understand; that friends and lovers are two distinct species, one domestic, one alien; that I feel all these things...
...Home Journal in 1968 broke the color barrier at mainstream women's magazines, and she went on to grace the covers of Cosmopolitan, Essence and Life. While she was not the only successful black model from that era (there were others, among them Donyale Luna), she was the first dark-skinned model to enjoy such a measure of mainstream success. (Read about the role of race in modeling...
...foster care. (She later credited her unhappy childhood with fueling her drive and determination.) She arrived in New York City to attend the Fashion Institute of Technology in 1966 and decided to try modeling to support herself. After most agencies turned her down, proclaiming her skin color "too dark," she forged out on her own, landing a photo spread with the New York Times by contacting a photographer directly. At a time when "black is beautiful" became a rallying cry for many black people, she helped illustrate this mantra for people of all skin colors. (See TIME's special report...
...Jackson at Checkpoint Charlie, and three minutes later he and his entourage climbed the stairs to the viewing platform and peered into the East. A photograph taken from the East Berlin side and pasted into the two-page report in the Stasi file shows Jackson in a tight-fitting dark jacket, his hands clasped, and wearing sunglasses and a hat. Next to him is the mystery woman in dark sunglasses and a sleeveless dress. A TV microphone dangles on the right-hand side of the photo...