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But provincial beginnings often confer a certain intensity on painters. The eye becomes obsessive, prehensile. Sanchez Cotán was a cloistered monk who never went outside Spain-but his Bodegon of vegetables (see color overleaf) is one of the most remarkable still-lifes ever painted. Each form-the ribbed...

Author: /time Magazine | Title: Art: Spanish Gold in England | 2/16/1976 | See Source »

During the Peninsular War, French soldiers used it for target practice. It is a wreck, blackened and blistered: but of what a vessel! Spanish religious painting takes on the grand rhetoric, the "mighty line" of Marlowe: the arc of stricken figures at the foot of the cross, its profile ending...

Author: /time Magazine | Title: Art: Spanish Gold in England | 2/16/1976 | See Source »

A moth ate words. That seemed to me a strange event, when I heard of that event, when I heard of that wonder, that the worm, a thief in darkness, should devour the song of a man, a famed utterance and a thing founded by a strong man. The thievish...

Author: NO WRITER ATTRIBUTED | Title: Book Blues | 1/23/1976 | See Source »

Like most operas, The Magic Flute has its cultists, opera purists have harrumphed at Bergman's "popularization" of the original libretto. But he's done the rest of us a service--to the uninitiated The Magic Flute's message can be hard to fathom, seeming alternately simpleminded and ponderously abstract...

Author: By Kathy Holub, | Title: The Magic of Two Masters | 1/16/1976 | See Source »

Bergman took up the challenge here, too. He has cooked up a few plot devices in an effort to give the tale some grit and human motivation, and comes dangerously close to melodrama. About halfway through the film we learn that Sarastro, High Priest of the Temple, was once the...

Author: By Kathy Holub, | Title: The Magic of Two Masters | 1/16/1976 | See Source »

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