Word: darlin
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Dates: during 1970-1979
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DIED. Dimitri Tiomkin, 85, Russian-born composer who won three Oscars for his soaring scores for The High and the Mighty, The Old Man and the Sea and High Noon, and another for High Noon's memorable theme song, Do Not Forsake Me, Oh My Darlin'; after fracturing his pelvis in a fall; in London. Intent on pursuing a career as a concert pianist, Tiomkin left Russia after the 1917 Revolution, made his Paris concert debut in 1924 and two years later performed for the first time in the U.S. Caught in the rush of talent to Hollywood...
...running about trying to look Italian by wildly gesticulating and screaming 'Brava, Brava.' Bertolucci also drags out an antiquated collection of cliches about opera and its fans. His women parade about a la Gertrude Stein and partake of lesbian love with decadent Italian countesses. His men lisp on about 'darlin' Caterina and swish about backstage. It would be funny if it weren't so offensive...
...Buffett, they all added their own carbonations to the flat brew of country music: Prine his Appalachian hillbilly twang, Goodman his Chicago blues, Walker just all-out Texas boozing. What they did was blow out the earnest country cliches with fond parodies ("You Don't Have to Call Me Darlin', Darlin', But You Never Even Call Me By My Name"), rocking mockers ("Up Against The Wall, Redneck Mother"), chomping satires ("My Whole World Lies Waiting Behind Door Number Three"), love-into-lust songs ("Why Don't We Get Drunk and Screw"), and bitter-enders much bleaker than the usual tears...
...bend, engine screaming at 6,800 r.p.m. and rear wheels adrift, the smoking blue racing machine slides perilously close to the curve, then barrels into a straightaway. "C'mon now," the driver growls through gritted teeth. "Punch that pedal! Now feather the gas! Hug that curve like your darlin...
...country musician, one of a new breed that began with John Prine's innovations in country lyrics and produced such songs as "The City of New Orleans" (which Arlo Guthrie made famous) and the great country self-parody "I Don't Mind If You Don't Call me 'Darling,' Darlin, But You Don't Even Call Me By My Name." The genius of these new country singers and songwriters is in their largely successful avoidance of the banality of previous country lyrics, and their musical incorporation of not only rock and roll, but '40s and '50s pop tunes as well...