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...recreated, to contemporary audiences the result usually seems more redolent of old mothballs than Old Master. Yet the brightest hits of the current music season in West Germany are two small relics of 100 years' neglect that have been resurrected by the sophisticated, experimental Hessische Landestheater in industrial Darmstadt. Germany's new discovery: Jacques Offenbach...

Author: /time Magazine | Title: Opera: To Save a Mockingbird | 3/6/1964 | See Source »

...German Jew who settled in Paris as a ten-year-old cello prodigy and later studied composition with Cherubini, Offenbach churned out musiquettes galore for his beloved Bouffes-Parisiens. The two works that Darmstadt saw, The Transformed Cat and Daphnis and Chloe, are quintessential Offenbach. One, resembling a Freudian treatment of La Fontaine, tells of a cat's metamorphosis into a woman of feline charm who turns at night into a rooftop mehitabel; the other shows Pan thwarted in a sneaky attempt to teach Chloe the art of love-and ends with a riproaring, garter-snapping cancan. The ideal...

Author: /time Magazine | Title: Opera: To Save a Mockingbird | 3/6/1964 | See Source »

...exhibition honoring architect Walter Gropius on his 80th birthday will be on display at the Loeb Drama Center until June 15. The exhibition was organized by the Bauhaus Archive, Darmstadt, and was brought to the United States by the West German Consul in Boston...

Author: NO WRITER ATTRIBUTED | Title: Gropius Exhibition | 5/22/1963 | See Source »

...them or respectful crowds cheering "Es lebe hock!" After greeting their waiting cousins, Prince Ludwig and Princess Margaret von Hessen, Philip and Anne got quickly into the rakish Alvis sports coupe, which had been flown ahead of the royal party from London. Then they headed down the Autobahn to Darmstadt, where they stayed at the Von null palatial 18th century Schloss Wolfsgarten...

Author: /time Magazine | Title: West Germany: An Eclipse of Princes | 4/26/1963 | See Source »

...handy checklist of great modern German artists-Lehmbruck, Barlach, Kirchner, Grosz, Nolde, Ernst. But one artist, Otto Dix, who was considered so crass that no fewer than 16 of his works were hung in the show, is only now getting recognition commensurate with that backhanded accolade. Berlin and Darmstadt have seen comprehensive Dix exhibitions in the past couple of years, and his current show in Stuttgart is drawing praise from critics all over Germany...

Author: /time Magazine | Title: Art: Fame by Installments | 4/19/1963 | See Source »

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