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...succeed in bringing much of its power out rather beautifully. It looks as if the Hyperion's experiment was successful: they brought one of the most difficult and rewarding plays in history to a large student audience, and they succeeded in demonstrating that Sanders really is (except for those darn acoustics) suitable for Shakespeare. If the production, as Norton wrote of the actor who played Hamlet in '56 (the amusingly named Colgate Salsbury '57), had certain marked defects, it also "manage[d] to do certain difficult things remarkably well." Like staging Hamlet in Sanders, for the masses, in the first...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: Historical 'Hamlet' Staged in Sanders | 10/2/1998 | See Source »

...could just forget about donating anything to anyone before I get my own career off the ground. But then some suppressed page from that darn "Life's Little Instruction Book" begins to pop back to life, sweetly reminding me: "Now, if everybody thought that way, where would you be? Probably out of a lot of financial aid, young lady." And if my kindergarten teacher-esque conscience doesn't force my checkbook open, I'm sure that peer pressure will...

Author: By Sarah A. Rodriguez, | Title: How Do I Give? | 9/30/1998 | See Source »

Selecting an extracurricular at Harvard is like choosing a porn magazine at a newsstand: They all look pretty darn good...

Author: By Noah Oppenheim, | Title: Picking Your Poison | 9/8/1998 | See Source »

When General Motors' Saturn plant was opened amid the cornfields of Spring Hill, Tenn., in 1990, it was billed as a kind of corporate nirvana where a folksy labor force and enlightened managers would happily work to produce some of the best darn American cars on the road. The plant represented a unified front against growing Japanese imports and offered the broader prospect of peace between GM and the United Auto Workers...

Author: /time Magazine | Title: The Trouble With GM | 7/27/1998 | See Source »

...have unlocked Lloyd Webber's long-dormant rock tendencies. To be sure, Whistle has its share of elevator-music ballads (though you can pipe No Matter What into my elevator anytime), and the upbeat kids' number When Children Rule the World is easy to make fun of (yet still darn catchy). But the Steinmanesque angst in songs like A Kiss Is a Terrible Thing to Waste, or the yearning, over-the-top lyrics like "If all that died again would grow.../ These are the loneliest words I know," have inspired fresh passion and urgency (and a good beat) in Lloyd...

Author: /time Magazine | Title: Theater: Andrew Lloyd Webber: Whistle A Happy Tune | 7/27/1998 | See Source »

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