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Rouge et Noir. The edge of Stendhal's satire is dulled by sentiment, but all the same his great novel makes a good movie; with Gerard Philipe, Danielle Darrieux, Antonella Lualdi (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, may 26, 1958 | 5/26/1958 | See Source »

Rouge et Noir. The edge of Stendhal's satire is dulled by sentiment, but all the same his great novel makes a good movie; with Géerard Philipe, Danielle Darrieux, Antonella Lualdi (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, may 19, 1958 | 5/19/1958 | See Source »

Rouge et Noir. The edge of Stendhal's satire is dulled by sentiment, but all the same his great novel makes a good movie; with Gérard Philipe, Danielle Darrieux, Antonella Lualdi (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, may 12, 1958 | 5/12/1958 | See Source »

...have meant in the original novel, the film presents the story as a routine marital triangle, albeit one clothed in some impressive pastoral photography. Part of the picture's lack of dramatic impact undoubtedly stems from the routine character of the acting. Only one of the principals, Danielle Darrieux, as Lady Chatterley, brings some life into the proceedings. Her transition from a cool, self-possessed society woman to the wife of a gamekeeper is, on the whole, credible. Leo Genn, in the part of Sir Clifford, gives a singularly plodding performance and his French always sounds self-conscious and forced...

Author: By Thomas K. Schwabacher, | Title: Lady Chatterley's Lover | 3/27/1957 | See Source »

...cast of the film reads something like an index of the modern French stage. It includes, among others, Gerard Philippe, Danielle Darrieux, Daniel Gelin, Simone Simon, Anton Walbrook, and Jean-Louis Barrault. All of these actors give fine performances, though two at least stand out from the rest: Walbrook, who plays the sophisticated master of ceremonies, and Barrault, as the poet. Few actors would have enough courage to make a declaration of love while lying on their backs on the floor, and enough talent to make the scene come off. Barrault, however, does. His work and that of Max Ophuls...

Author: By Thomas K. Schwabacher, | Title: La Ronde | 12/17/1956 | See Source »

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