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Nicole (Danielle Darrieux), a job-seeking model, is assigned to pose for semi-nude photographs. She goes to the wrong address, starts to undress in the office of a cynical young businessman (Douglas Fairbanks Jr.), who not unnaturally supposes that she has selected him as the victim of some sort of racket. Disgusted with modelling, Nicole, abetted by an ex-chorus girl (Helen Broderick) and a parsimonious headwaiter (Mischa Auer), next risks the headwaiter's savings on a frantic effort to find herself a rich fiance. Unfortunately, no sooner does she find what looks like a good prospect than...

Author: /time Magazine | Title: Cinema: The New Pictures: Jul. 4, 1938 | 7/4/1938 | See Source »

...Smart Girls and two subsequent Universal hits is blithe, bouncing, 16-year-old Deanna Durbin. Suspecting that it needed, if not another Durbin, at least a running mate of comparable calibre, Universal acquired one, with the same lucky initials, in the noteworthy French person of 21-year-old Danielle Darrieux (Mayerling). The Rage of Paris introduces Mlle Darrieux to English-speaking audiences, is a frothy comedy designed to capitalize both her talent for wearing expensive clothes and her as yet imperfect English. Taking no unnecessary chances, the company assigned as her director Henry Koster, who in the first two Durbin...

Author: /time Magazine | Title: Cinema: The New Pictures: Jul. 4, 1938 | 7/4/1938 | See Source »

Keith Memorial is holding over Danielle Darrieux--"Dare-you" is even better than "Sea Moan"--in her American debut, "The Rage of Paris." The picture is strongly recommended for its comedy, its subtlety, and that "je ne sais quoi" that these French girls seem to have...

Author: NO WRITER ATTRIBUTED | Title: Crimson Reviews-- | 6/22/1938 | See Source »

...what New York tabloids like to think is a close parallel to l'affaire Simpson, the picture retells the tragic story of Archduke Rudolph, heir apparent to the Austrian throne, who gave up position, property, and finally life itself, for the woman he loved. Charles Boyer and Danielle Darrieux are no strangers to American audiences, but under the skillful direction of a compatriot. Anatole Litvac, and unhampered by a plot that demands love, spectacle, and a happy ending, they give to their roles a depth of emotional feeling rarely seen on American screens. For those who have not already seen...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 6/8/1938 | See Source »

Without apple-cheeked young Singer Deanna Durbin, Universal Pictures might have been far deeper in the red than its net loss (as of October 30) of $1,084,999 indicates. Next season Deanna will make three films of her studio's scheduled 40. Figuresome, French Danielle Darrieux (Mayerling) will appear...

Author: /time Magazine | Title: Cinema: Prospectus | 6/6/1938 | See Source »

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