Word: daryl
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Winthrop said yesterxay he believed the House Committee's original tabulation method violated the assembly constitution by weighing some votes more heavily than others. One candidate, Daryl A. Libow '81, won an assembly seat in the original tabulation but was notified after thesrecount that he had actually, lost the election...
Sophomore hip check specialist Daryl MacLeod opened the scoring at 3:04, taking a shovel pass from freshman Rob Davies and firing a high wrister to the short side of the cage past Crimson frosh Wade...
SCORING: B.U.--Daryl MacLeod (Rob Davies, Bill O'Neill) 3:04; H--Murray Dea (unassisted) 3:09; B.U.--Scott Nieland (Mark Fidler) 10:05. Second Period: B.U.--MacLeod (Davies, Jack O'Callahan) 2:43; B.U.--Todd Johnson (unassisted) 3:49; B.U.--O'Callahan (Fidler) 6:12; H--Jack Hughes (John Cochrane) 8:23; H--Gene Purdy (Jack Hughes, Cochrane) 13:59; B.U.--Johnson (Hetnik, Meagher) 19:38. Third Period: H--Tom Murray (Mike Watson) 5:54; H--David Burke (Graham Carter, George Hughes) 13:19; B.U.--Johnson (Hetnik, Craig...
...many listeners, Daryl Hall's voice sounds harsh, and the Hall and Oates combination comes across as grating. Perhaps an appreciation of their music is an aquired taste. Unfortunately, pop music radio and listeners, en masse, have never seemed to have a great affinity for the Hall and Oates sound; and the music on their latest release, Along the Red Ledge, shows just why a Hall-and-Oates-mania will never sweep the country...
...such a cut contrasts dramatically with a tune like "Have I Been Away Too Long." The song is a showcase for Daryl Hall's free-wheeling, bluesy vocal style. He scales to ear-shattering highs and teams with John Oates for swirling harmonies that sharpen the tonal disparity between their voices. It's a fine song reminiscent of many earlier Daryl Hall tunes, but it probably will be disliked by many listeners because of its loose sound...