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...Development Advisory Service (DAS) developed into the HIID. Economists entirely staffed the DAS, which embodied the faith of the times in economic solutions to the world's ills. In 1973 the HIID charter explained its new purpose this...

Author: By Celia W. Dugger, | Title: What Price Harberger? | 2/22/1980 | See Source »

...arrangement will retain the strengths of the DAS--the concept of a staff which circulates between home and overseas assignments, and experienced administrative mechanism for supporting overseas activities and strong links to the Department of Economics--and add the involvement of other disciplines, fields of interest and faculties...

Author: By Celia W. Dugger, | Title: What Price Harberger? | 2/22/1980 | See Source »

...drawn to Marxism and the U.S.S.R. in the light of Chamberlain's appeasement policy, but went on to admit that it was the influence of Burgess that led him to translate this vague sympathy into active service on behalf of the KGB. I cannot, in any case, see Das Kapital as his bedside book...

Author: /time Magazine | Title: Time Essay: The Eclipse of the Gentleman | 12/3/1979 | See Source »

Each of the four operas takes less than an hour, and the whole evening adds up to about four hours in all--less than any one of the original operas except the "prologue" Das Rheingold. Sellars handles the musical cuts as skillfully as possible, and except for some of the act endings in Die Walkure and Siegfried, which he uncomfortably splices straight into the next scenes, they are not unsettling. Of course, Wagner's meticulous structure of leitmotifs crumbles to the ground. But from the opening of Rheingold, when Sellars' voice and the rustle of silver paper (standing...

Author: By Scott A. Rosenberg, | Title: Wringing Pleasure From Wagner | 9/29/1979 | See Source »

...production savors the visual opportunities of Das Rheingold, wringing it of every bit of spectacle--including towering potato-sack giants. Die Walkure, the best of the four adaptations, flows well musically; Sellars cuts out nearly the entire second act. Though that act, with a 25-minute monologue from Wotan, is the ideological lynchpin of the whole cycle, it rightly is the first to go in a conception of the Ring as entertainment. Walkure also benefits from the absence of Sellars' sometimes-intrusive narration. The presentation races through Siegfried, barely pausing for Siegfried to slaughter a garbage-bag Fafner, and into...

Author: By Scott A. Rosenberg, | Title: Wringing Pleasure From Wagner | 9/29/1979 | See Source »

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