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...event featured a screening of the 42-minute long documentary, as well as a question and answer session with Eck, Antell, and the three women featured in the film: Dr. Laila Al-Marayati, a Muslim, Dr. Shamita Das Dasgupta, a Hindu, and Mushim Ikeda-Nash, a Buddhist...

Author: By Jessica A. Berger, CONTRIBUTING WRITER | Title: Religion Prof Narrates 'Faith' | 5/4/2005 | See Source »

...asked by Antell to narrate this film. Additionally, Eck connected Antell with Al-Marayita and Das Dasgupta, active members of the Pluralism Project’s women’s networks conferences...

Author: By Jessica A. Berger, CONTRIBUTING WRITER | Title: Religion Prof Narrates 'Faith' | 5/4/2005 | See Source »

...Your article described the view of traditionalists who believe that India is defined by restraint reflected in Gandhian frugality. A different point of view was provided by journalist Swapan Dasgupta, who said, "Gandhi may still be an icon, but Gandhism is dead as a dodo." Gandhism can never die. The Mahatma's sole objective in life was to turn man's attention to God and teach man how to seek the guidance of this kindly light within his soul in every situation. Gandhism is the very soul of man. Mukut Behari Lal New Delhi...

Author: /time Magazine | Title: Letters | 1/3/2005 | See Source »

...control where or when the rains come, of course. But India has the power to alleviate its water woes, according to Sumita Dasgupta of the independent, New Delhi-based Centre for Science and Environment. "India has a lot of water," she says. "Even in drought years, we get enough. We just don't manage it." P. Chengala Reddy of the Indian Farmers and Industry Alliance lobby group goes further: "There is absolutely nil long-term planning." What management there is, says Dasgupta, ignores traditional methods of water storage in dry areas-such as the now disused network of channels...

Author: /time Magazine | Title: Unnatural Disaster | 8/2/2004 | See Source »

...government functionary? Or a willful sinner whose well-paid job trades in the blood of the blameless? The film is vintage Adoor, a picture-perfect set piece that entertains eternal questions of human responsibility and freedom. (Shadow Kill "has the stamp of a master," according to film critic Chidananda Dasgupta.) The film is more beautifully shot than the rest of Adoor's oeuvre combined...

Author: /time Magazine | Title: Knee Deep in the New Wave | 4/28/2003 | See Source »

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