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...American Keith Francis is a proven entity in the middle distance events. High school All-American Bill Martin has already raised collegiate eyebrows in the 1000-yard and mile runs. 1975 IC4A sprint champion Bob Hazard is still fleet of foot and could spell trouble for the Harvard dash duo of Todd Hooks and Mark McLean...

Author: By Jonathan J. Ledecky, | Title: Harvard Grabs Early 12-5 Lead in B.C. Meet; Crimson Thinclads Seek Final Conquest Today | 12/13/1975 | See Source »

...such huge men, the front four have exceptional speed. With hands the size of bear paws and thighs the thickness of a railroad tie, Joe Greene measures 6 ft. 4 in. and weighs 275 lbs. Even so, he drives through the 40-yd. dash in less than five seconds, as fast as many running backs. Dwight White (6 ft. 4 in., 255 lbs.) and Greenwood (6 ft. 6 in., 230 lbs.) are faster, and Holmes (6 ft. 3 in., 260 lbs.) is only a minisecond slower...

Author: /time Magazine | Title: HALF A TON OF TROUBLE | 12/8/1975 | See Source »

FAVORITE DRINK: The Franklin Fizzie (one part Dewar's Scotch, one part Hood milk, a dash of Quaker oatmeal, a cherry fizzie and a scoop of scrapple...

Author: By William E. Stedman, | Title: Rock Steady | 10/31/1975 | See Source »

...complexities, doubts and unfamiliarities of living in the 20th century had radically altered the historical sense of a whole generation of artists. Pound and Joyce no less than Picasso, Stravinsky or André Breton. John, however, continued to paint like a swashbuckling hedonist. His drawings of the figure had dash and virtuosity, even in his student years at the Slade School. He was, in the view of friends like Sir William Orpen, the inordinately successful painter, the best draftsman to work in England since Van Dyck. The last modern painter to affect John's work was Paul Gauguin, whose...

Author: /time Magazine | Title: Books: Wild Man | 9/29/1975 | See Source »

...course, the English bourgeoisie loved him for that, and he went on to become the most successful portraitist in the nation, setting down the faces of his friends-poets from Yeats to Dylan Thomas, writers like Shaw, collectors like the flustered and bigoted American John Quinn-with a picaresque dash which, in the celebrity portraiture of his later years, turned into a routine of dispiriting feebleness. Like John at his zenith, Holroyd creates a suite of sardonic and sympathetic verbal portraits. Between the figures flow the ingredients of that most difficult of works-the biography of a grandiose failure...

Author: /time Magazine | Title: Books: Wild Man | 9/29/1975 | See Source »

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