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Director Jules (Naked City) Dassin is a realist with a varnished style that switches from arty to operatic to documentary. His highway scenes give a sense of speeding movement and the ominous effect on the driver of cars hurtling past in a metallic rhythm. Occasionally he turns in a totally authentic shot, e.g., an oatmeal-grey Sunday morning in the produce market, the street forlorn and empty except for some work-worn truckers sitting on crates eating watermelon...

Author: /time Magazine | Title: The New Pictures, Oct. 10, 1949 | 10/10/1949 | See Source »

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