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Usage:

...Melody Maker review of a Wailers gig in New York City (headline: "Wailers Fail to Catch Afire") one critic wrote "[The Wailers] found themselves playing to largely unconverted ears...and, with virtually no exception, white ears." Marley said to High Times in September 1976 "Well, I hear dat we not gettin' through to black people. Well, me tell de R. and B. guy now, he must play dis record because I wan' get to de people...

Author: /time Magazine | Title: Remembering Bob Marley | 2/4/2005 | See Source »

...behind bars, but his businesses have been taken over by other gangsters with names like Xuan Leprosy and Dat Long Hair. Outside the courtroom two weeks ago, a 67-year-old retiree named Nguyen Thi Vinh professed renewed faith in the party and said she came to the trial "so I can tell my children." Well, that was one reason. The other was evident in the stack of colored papers in her lap: Nguyen was hawking lottery tickets...

Author: /time Magazine | Title: Goodbye, Godfather | 3/3/2003 | See Source »

...absentee rate once prompted a worried Nihon University College of Art professor to land him a job at a local TV production company. He lasted two weeks. "Then I dropped out." He spent the next eight years wandering between Asian hotspots, touching down in Tokyo to reboot on new DAT technology and reload on yen and then blasting off again for the white label Gulf of Siam islands or Arabian Sea coast...

Author: /time Magazine | Title: On the Circuit | 11/11/2002 | See Source »

...told me that the only thing she truly wants to see is her 13-year old daughter graduate from college.” (Can’t she already see it?) Despite her personal trauma, Miss Cleo has “felt da strong calling to help you find dat special person” and launched www.cleodate.com. There’s someone for everyone. Are you that someone? Let Miss Cleo show you the way! Love, power and fortune are waiting...

Author: By William L. Adams, CRIMSON STAFF WRITER | Title: O Cable, Where Art Thou? | 2/7/2002 | See Source »

...should not be overlooked. OAR has a fresh sound that is a unique blend of rock and reggae, mixing rasta rhythms with driving rock riffs. They combine standard instrumentation—drums, electric guitars and bass—with bits of vocal scat like “skittleedat dat dat, well how ‘bout that?” which augment a strong lyrical use of rhyme and alliteration. They also have a saxophone to inject a little bit of jazz into a few of songs...

Author: By Matthew S. Rozen, CRIMSON STAFF WRITER | Title: You Say You Want a Revolution? | 10/19/2001 | See Source »

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