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Along the avenue, portals framed in warm black terrazzo give access to the internal galleries. Here, Aulenti has done marvels with adjustment of scale to image. Each space suits its contents, whether one is looking at Daumier's 36 clay caricature heads of the Celebrites du Juste- Milieu, no bigger than grenades and as lethal, whose passionate violations of the human face would so deeply affect Giacometti a century later, or at the large, suave, marmoreal forms of Ingres and early neoclassical Jean-Leon Gerome...

Author: /time Magazine | Title: Art: Out of a Grand Ruin, a Great Museum | 12/8/1986 | See Source »

...rare-book dealer and his customer have long been favorite subjects of painters. Musty, refined, the dilettantes gaze out from the works of artists from Daumier to Norman Rockwell, echoes of a time when collectors were more interested in pages than profits. The echoes are growing fainter by the week. Today, Ye Olde Booke Shoppe is likely to be mistaken for Ye Stocke Exchange. Dusty volumes have become hot commodities. New York City Dealer Raymond Wapner finds the upswing encouraging: "It's about time we came to terms with the economic reality of the times. In upward movement...

Author: /time Magazine | Title: Books: The Clothbound Collectibles | 4/26/1982 | See Source »

...Lear is the Fool, an observation few statesmen notice until the work of comic artists brings them down. In Masters of Caricature (Knopf; 240 pages; $25) the productions of savage and subtle comedians from William Hogarth to David Levine pass in review. Ministers of the 19th century wither under Daumier's derision; Thomas Nast sweeps out Tammany Hall; George Grosz annihilates Germany between the wars. But Historian and Art Critic William Feaver's text also makes room for such sly performers as Sir John Tenniel, who created a Wonderland for Alice, and Sir Leslie Ward ("Spy"), whose work...

Author: /time Magazine | Title: Books: Treasures of Art and Nature | 12/14/1981 | See Source »

...conspectus of styles, manners and approaches in the show is somewhat muffled by the lack of key paintings by fundamental masters of realism like Courbet or Honore Daumier. Moreover, there is no way of drawing a hard-and-fast line between the realist enterprise and that of the impressionists. Although artists like Degas and Manet are represented, and although there are some exquisite paintings by figures on the edge of the impressionist group-like Henri Fantin-Latour, whose portrait of his two sisters embroidering and reading is one of the most affecting icons of intimacy in all 19th century...

Author: /time Magazine | Title: Art: Gleaners, Nuns and Goosegirls | 4/13/1981 | See Source »

...antiquities of Greece, and other experts, all of whom know how to develop a hypothesis as well as an exhibition. The installation affects a quest. It is divided among three distinct, sequential sections that draw one from room to room, back in time from Alexander comic strips and a Daumier cartoon to a final, wine-dark chamber where a wreath of gold leaves and acorns hangs over a gold larnax, or chest, in which Philip II's bones might have lain. The tomb at Vergina in which these treasures were discovered was unearthed in 1977 by Greek Archaeologist Manolis...

Author: /time Magazine | Title: Art: Alexander Takes Washington | 11/24/1980 | See Source »

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