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...Dave Hoover wanted to be a lion tamer ever since he was a kid and saw Clyde Beatty's cheesy jungle movies. George Mendonca went to Rhode Island after the hurricane of '38 and stayed to become a topiary gardener. Ray Mendez, a photographer, had a high school fascination with insects; 20 years later, he learned that there were mammals--naked mole rats--living in colonies like insects, took photos of them, brought them home. Rodney Brooks is an M.I.T. scientist who loved to build things; now he makes robots whose movements are not programmed but follow the machine...

Author: /time Magazine | Title: CINEMA: TAKE THIS JOB AND LOVE IT | 10/27/1997 | See Source »

...names of these men are shown only briefly at the start. For the rest of the film they are identified by their eccentric clothing (Ray's plaid shirt and butterfly bow tie) or coiffure (Dave's gravity-defying orange comb-over). And they are defined by their jobs; we think of them simply as "the lion tamer" or "the mole-rat guy," and watch their eyes spark as they speak of the work that lights their lives...

Author: /time Magazine | Title: CINEMA: TAKE THIS JOB AND LOVE IT | 10/27/1997 | See Source »

...first two discs, Fillmore West and Fillmore East, were recorded in the spring of 1970. They provide a bridge between Miles's earlier work and the rest of the series. With Chick Corea on a very plugged-in piano and Dave Holland on electric bass, the sound of the music is transformed and moves into a startling mixture of jazz and funk. The synergy between the musicians in this small ensemble format is remarkable, and the interplay is at times breathtaking. The sound is a mixture of classic jazz approaches and louder, contemporary rock music techniques. Taking the overall feel...

Author: By Josiah J. Madigan, CONTRIBUTING WRITER | Title: Kind of Blue And Very Live | 10/10/1997 | See Source »

...becomes a sea of sound--a dense, nearly opaque collage of crashing rhythms, slamming funk and inspired, wild soloing. Unlike Philharmonic Hall, where the soloists largely stayed in the vein of the steady funk of the band, the soloists in Dark Magus can barely be contained. As horn player Dave Liebman writes in the liner notes, "each man had his role...[drummer] Al Foster for the most part just kept the energy up relentlessly.... What it really came down to was the relentless, screaming sound and energy of the music...

Author: By Josiah J. Madigan, CONTRIBUTING WRITER | Title: Kind of Blue And Very Live | 10/10/1997 | See Source »

...this period McCartney started Promise Keepers. In the spring of 1990 he and his friend Dave Wardell, an official of the Fellowship of Christian Athletes, were preparing to travel from Boulder to Pueblo when McCartney was struck by a vision of stadiums filled with men willing to become deeply committed Christians. "He jumped in the car and said, 'Let's pray,'" says Wardell. "We prayed for three and a half hours. This guy is strong. He's stronger than bear's breath...

Author: /time Magazine | Title: GOD, FOOTBALL AND THE GAME OF HIS LIFE | 10/6/1997 | See Source »

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